process of creative writing

How to Develop Your Creative Writing Process

by Melissa Donovan | Feb 7, 2023 | Creative Writing | 45 comments

process of creative writing

What steps do you take in your creative writing process?

Writing experts often want us to believe that there is only one worthwhile creative writing process. It usually goes something like this:

  • Rough draft
  • Revise (repeat, repeat, repeat, repeat)
  • Edit, proof, and polish

This is a good system — it absolutely works. But does it work for everyone?

Examining the Creative Writing Process

I’ve been thinking a lot about the creative writing process. Lately I’ve found myself working on all types of projects: web pages, blog posts, a science-fiction series, and of course, books on the craft of writing .

I’ve thought about the steps I take to get a project completed and realized that the writing process I use varies from project to project and depends on the level of difficulty, the length and scope of the project, and even my state of mind. If I’m feeling inspired, a blog post will come flying out of my head. If I’m tired, hungry, or unmotivated, or if the project is complicated, then it’s a struggle, and I have to work a little harder. Brainstorming and outlining can help. A lot.

It occurred to me that I don’t have one creative writing process. I have several. And I always use the one that’s best suited for a particular project.

A Process for Every Project

I once wrote a novel with no plan whatsoever. I started with nothing more than a couple of characters. Thirty days and fifty thousand words later, I had completed the draft of a novel (thanks, NaNoWriMo!).

But usually, I need more structure than that. Whether I’m working on a blog post, a page of web copy, a nonfiction book, or a novel, I find that starting with a plan saves a lot of time and reduces the number of revisions that I have to work through later. It’s also more likely to result in a project getting completed and published.

But every plan is different. Sometimes I’ll jot down a quick list of points I want to make in a blog post. This can take just a minute or two, and it makes the writing flow fast and easy. Other times, I’ll spend weeks — even months — working out the intricate details of a story with everything from character sketches to outlines and heaps of research. On the other hand, when I wrote a book of creative writing prompts , I had a rough target for how many prompts I wanted to generate, and I did a little research, but I didn’t create an outline.

I’ve tried lots of different processes, and I continue to develop my processes over time. I also remain cognizant that whatever’s working for me right now might not work in five or ten years. I will keep revising and tweaking my process, depending on my goals.

Finding the Best Process

I’ve written a novel with no process, and I’ve written a novel by going through every step imaginable: brainstorming, character sketches, research, summarizing, outlines, and then multiple drafts, revisions, and edits.

These experiences were vastly different. I can’t say that one was more enjoyable than the other. But it’s probably worth noting that the book I wrote with no process is still sitting on my hard drive somewhere whereas the one I wrote with a methodical yet creative writing process got completed, polished, and published.

In fact, I have found that using a process generates better results if my goal is to complete and publish a project.

But not every piece of writing is destined for public consumption. Sometimes I write just for fun. No plan, no process, no pressure. I just let the words flow. Every once in a while, these projects find their way to completion and get sent out into the world.

It is only by experimenting with a variety of processes that you will find the creative writing process that works best for you. And you’ll also have to decide what “best” means. Is it the process that’s most enjoyable? Or is it the process that leads you to publication? Only you know the answer to that.

I encourage you to try different writing processes. Write a blog post on the fly. Make an outline for a novel. Do some in-depth research for an epic poem. Try the process at the top of this page, and then do some research to find other processes that you can experiment with. Keep trying new things, and when you find whatever helps you achieve your goals, stick with it, but remain open to new methods that you can bring into your process.

What’s Your Creative Writing Process?

Creative writing processes are good. The reason our predecessors developed these processes and shared them, along with a host of other writing tips, was to help us be more productive and produce better writing. Techniques and strategies can be helpful, but it’s our responsibility to know what works for us as individuals and as creative writers and to know what will cause us to infinitely spin our wheels.

What’s your creative writing process? Do you have one? Do you ever get stuck in the writing process? How do you get unstuck?

Ready Set Write a Guide to Creative Writing

45 Comments

Marelisa

Hi Melissa: I do a lot of research on the topic I’ve chosen to write about. As I do the research I take notes on a word perfect document. When I have a whole lot of information written down–in a jumble–I usually leave it and go do something else. Then I sit down and start to work with the information I’ve gathered and just start writing. The first draft I come up with is usually pretty bad, and then I revise and revise until I have something beautiful that I feel is fit to share with the rest of the world. That’s when I hit the “publish” button 🙂 I’m trying to implement Parkinson’s Law to focus my thinking a little more as I write so that I can get the articles out a bit faster.

joey

My favorite pre-writing process would have to be getting a nice big whiteboard and charting characters and plots down. I find that it really helps me anchor on to specific traits of a character, especially if the persona happens to be a dynamic one. Such charting helps me out dramatically in creating an evolving storyline by not allowing me to forget key twists and other storyline-intensive elements =)

That being said, my favorite pre-charting process is going out the on nights leading to it for a few rounds of beer with good friends!

Cath Lawson

Hi Melissa – I’m like you – I do different things depending on what I’m writing. With the novel I’m working on now – alot of stuff I write won’t even go into it.

Some of the stuff the gurus recommend are the kind of things I’d do if I was writing an essay – but nothing else.

Wendi Kelly

I don’t know if I have a set process. I start with morning pages and journaling. then whatever comes streaming from that gets written. As I go about my day I have a notebook that stays with me whereever I go and I am constantly writing in it, notes, ideas, themes, Sentances that begin with “I wonder…” and then then next monring the notebook is with me during quiet time and these thoughts are often carried right in to the process all over again. So…if that is a process, I guess…I never really thought about it. As I have said before, a lot of my writing also takes place in my jacuzzi..so…

I guess my process is that when its falling out of my head I try and catch it.

This will be the first year that I attempt NaNO so I will need to be more organized. This is good for thinking ahead. One of the reasons I started blogging in the first place was to get in the discipline of writing every day. That was the first step. Just creating the habit. This will be a good next step.

--Deb

These days, I feel so scattered, I feel like I’m not getting anything done at all! (grin)

Karen Swim

Melissa, I am really organized but my writing process has never followed the guidelines. I’ve tried them on for size and find that they don’t fit. Even in school, I never did outlines and drafts so I suppose I trained myself against the system! I always do research first and gather all of my notes, clips in one location. As for the writing process itself I let it rip, then go back and fine tune. It has worked for me thus far but I’m always open to trying new techniques on for size, hey if they fit I’m all on board!

Melissa Donovan

@Marelisa, that doesn’t surprise me. Your posts are comprehensive, detailed, and extremely informative. I can tell you care a lot about your topic and about your writing. That’s one of the reasons I enjoy your blog; your passion is palpable.

@Joey, I love the planning stage too. In fact, sometimes I get stuck there and never make it out. Ooh, and white boards. Yes. Those are good. Usually I just use drawing paper though. When I do NaNo, I’m going to try to do less planning. In fact, I’m going to plan in October and just write in November. I’m hoping this new strategy will result in winning my word count goal!

@Cath, I sort of pick and choose which tips from the gurus I use.

@Wendi, you write in the jacuzzi? That’s cool. Or hot. I guess it’s hot. Your process sounds really natural. I started blogging for the exact same reason — to write every day. I’m excited to hear you’re doing NaNo too. That will be fun, and we can offer each other moral support!

@Deb (Punctuality), it sounds like you have a lot going on! I get into that mode sometimes, where I’m so overwhelmed, I can’t get anything done. It’s really frustrating. Sometimes I have to shut down for a day to get my bearings and that’s the only way I can get back on track.

@Karen, that’s probably why your writing flows so well, because you just let it do its thing. I remember learning to do outlines back in 6th grade but it didn’t stick. Later, in college, we’d have to do them as assignments, so I didn’t have a choice. I realized that they sped up the writing process. Now I do them for some (but not all) projects. But I will say this: I actually enjoy outlining (weird?).

Milena

Melissa, I’m not a real writer but I do love reading how you, who are, go about the business of putting words to paper. As always, a great post. Thanks.

Deb

It is funny that you wrote about this today. I picked up an extra assignment with a today deadline. Let’s not talk about how long it’s been since I’ve written copy on that tight a deadline.

My mantra: “If it doesn’t make it I don’t get paid for it.” Rinse and repeat.

Also, I grew to enjoy outlining when I went back to university. Sometimes I’m happy just to outline; also known as a stall tactic.

Sam

Ah, my writing process?

1) Spit out mindgarbage! 2) Sort through mindgarbage. 3) Take out the handy scissors and glue (or rather, ctrl+c, ctrl+v…) 4) Revise Revise Revise 5) Edit, proof, polish… 6) Rewrite, revise rewrite, revise…

My prewriting is just writing. Writing trash. Then cleaning it up. 3 pages = 1 paragraph trash. Yeaaaaah.

@Milena, what do you mean you’re not a real writer? Of course you are. You write; therefore you are a writer!

@Deb, sometimes those crunch deadlines really light the fire. I’ve been amazed at what I can write in a day when there’s a client waiting for it with a nice big PayPal deposit!

@Sam, that’s a good way to get it done! Do you free-write your early drafts? I’ve been teased for editing too much, but it’s definitely worth it. You can get the good stuff early by just spattering it all over the page, and then refine it until it’s polished and sparkling!

Jenny

I never really liked the 5 step process when I wrote back in school, but I suppose that learning that did make me a better writer. I don’t have a set process, sometimes it’s just sitting at the computer and opening up my blog, or a blank page in Word. Sometimes things come from something that struck me during the day. I think I have to work on the discipline of actually sitting down to write more often! Practice makes perfect, or at least close enough, right?!?!

t.sterling

I’ve tried to figure out what my process is, but it’s different depending on what I’m writing.

Blogging – 90% of the time, there is no process at all and it shows. I’m usually writing as fast as I can think, and sometimes I can’t keep up and I may just jump to the next thought at random. I may go back and read and finish thoughts that were left incomplete. I try to write my blogs as if the reader is having a conversation with me, which makes it feel natural for me to write.

Poetry – Most times I don’t like editting unless I’m really unhappy with the first draft. Usually I’m only changing or adding punctuations. But overall, I’ll get my inspiration and after reciting a few lines in my head and an idea of where I want to go, that’s when I’ll pull out some paper (or cardboard or napkins or laptop) and write a potential masterpiece.

Story/scripts – I plan the entire story in my head. One might call it a brainstorm, but I’ll go farther and say it’s a hurricane. I won’t stop with just a story, I’ll create characters, scenes, even background music. A lot of times I’ll get the idea but I won’t be able to write anything down, like if I’m driving, rock climbing, sky diving or underwater. A lot of ideas come to me when I’m in the bathroom. Without sharing much details about that, I’ll just say I have time to think and let my imagination go to work. When I’m able to get to some paper or my laptop, I’ll write out the story and flesh it out a little until I’m done, or I’ll keep working on the story in my head and bounce it off some people to see how they would react of this happened or that happened.

I don’t like outlines, but when it comes to screenplays, they help out a lot and it’s the only time I MIGHT use one. I’ve been known to go without them though.

@Jenny, practice does make perfect! I believe that. I rarely use the five-step process on paper, but I think I often do some steps in my head, often without even realizing I’m doing them!

@t. sterling, I consistently get some of my best ideas in the shower. There must be something very inspiring about bathrooms or water. Like you, I have a bunch of different processes that I use depending on what I’m writing. And after reading all the comments, it seems like that’s how it works for a lot of writers.

J.D. Meier

I like the show me yours, show you mine tradezees.

It’s kind of long, but there’s a lot to it: http://blogs.msdn.com/jmeier/archive/2007/12/24/building-books-in-patterns-amp-practices.aspx

Thanks, J.D.

Kelvin Kao

That depends on the complexity. If it’s something simple like some of my blog posts, I just start writing without outlines. For tutorials, usually there are steps so I will write down all the steps first and re-arrange them to the order I want.

For stories, sometimes I write down the events that should happen, but sometimes I don’t. Even if I don’t explicitly write out an outline, I would still have some kind of structure in my head. And even if it’s written out, eventually I will get that into my head because it’s easier for me to sort through things that way. I think it might be a habit I developed from working as a computer programmer. I tend to rely a lot on short-term memory. I get all these details into my head, and then I try to sort things out in my mind.

Actually, you know what? I’ve just brainstormed for a story right before reading this. I already have most detailed sorted out in my head, so I will most likely write and post it tomorrow. I think I’ll post my writing process after that as well. For now I’ll sleep on it. (I think maybe that’s part of the process as well.)

Oh yes, sleeping on it is definitely part of the process. I like to insert that right between rough draft and revision. Then I do it again between revision and polish or proofread. Sounds like you do things similarly to the way I do — a little of everything with the steps varying depending on the project.

Positively Present

Great post! Thanks for sharing your insights on the writing process. As for me, I feel like I work in spurts of inspiration… Lots of writing, then editing, then writing again.

That is how I’ve always written poetry — with spurts of inspiration and freewrites. Then I will go through the pages and pull out lines and phrases to build a poem. I do use brainstorming, notes, outlines, research, etc. for other forms, but it really depends on the project.

Walter

Actually, I’m not that organize when it comes to creative writing. Most of the time I keep in tune with my thoughts. When something pop-ups (words, phrase, ideas, vocabulary) is immediately write it down on my black notebook.

I go with my own style of writing because I believe my work will speak out only if it’s unique on its own. Being imperfect, I don’t put too much effort on the grammatical construction. I believe that what’s between the words are more important the the words itself. A distinctive writer possesses this quality. 🙂

Writing down your ideas, words, phrases, etc. in your notebook is an excellent habit! However, I have to disagree with you on the importance of grammar. I think it’s essential for writers to master grammar and then (and only then) can you start breaking the rules. Of course, this may depend on what you want to write (i.e. blog versus fiction). Grammar gives writers a common or shared framework in which to construct the language, and believe it or not, there are some astute writers and editors out there who will judge your work rather harshly if the grammar is not up to par. That doesn’t mean it has to be perfect, but if you’re missing the basics, it’s likely they won’t bother reading past the first paragraph. By the way, a fast and easy way to learn grammar is by listening to the Grammar Girl podcast. Just a few minutes of listening a couple times a week will teach you more than you can imagine!

Jay Tee

I separate first draft from editing, but I’m not particular about whether I finish the whole draft before I start editing. Sometimes going back and editing the first 3 chapters gets me moving on a better line.

When I edit, I do whole read-thrus until I’m happy with the story flow. Then I use the Autocrit Editing Wizard to really polish the manuscript. After that, I’m done!

I’ve never heard of the Autocrit Editing Wizard. Sounds interesting. I usually edit short pieces like web page copy or blog posts on the fly, i.e. I will stop every couple of paragraphs and go back to re-read and edit. However, with longer works, I feel like if I start editing midway, I might lose the project and get caught up in polishing before the rough draft is nailed down. All that matters, however, is that each writer finds his or her own best method. Sounds like you’ve got it down!

Annette

LOL! I think I’ve worked through every possible type of creative process possible. From outlining the whole darned thing to working with notecards, story boards and of course just winging it, which resulted in a story with a really flat ending – unforgivable:-) And while I firmly adhere to Anne Lamott’s *&^^%# first draft, I have finally settled into a process that works for me. I now use a plot worksheet and a character worksheet. It takes me a bit longer to actually start writing but what I write works and requires less editing.

I’ve tried all the methods too, and I’m glad I did. I’ve learned that each one works for me, but in a different capacity. With creative writing, such as fiction and poetry, I just jump right in and start writing. Right now I’m working on a nonfiction, educational project using detailed outlines and note cards. I think what you’ve done is brilliant — figuring out what advice works for you and what doesn’t work and then letting your own, personalized process unfold.

Meredith

I have used all the methods, too, and I agree that the method used depends mostly on the subject matter. For novels, it also seems to depend on the genre. I can rip out a romance novel without an outline (in fact that’s the most fun way to do it). I finished a Romance for NaNoWriMo last year in three weeks. For novels with a more complicated plot at least a general outline is helpful (keeping in mind I have to be flexible enough to let the characters take over and go off in some completely different direction).

For me the single most important thing is letting a certain amount of time go by between drafting and editing. It could be days, it could be weeks. For novels it’s even better for me to let months go by. It gives me the the opportunity to look at the material with “fresh eyes”.

Probably for that reason, I tend to work on multiple projects at once: drafting one (early mornings on the weekends when I’m at my best); editing one and polishing another (weekday evenings). That way everything keeps moving forward, I never get bored and I always have new material in the pipeline.

I’m with you, Meredith! I can see how it would be fun to write a romance novel on the fly, and I’ve heard that mystery writers often use outlines because they need to incorporate plot twists and must keep track of various story threads. Another method is to outline as you write, so you have notes that you can refer back to when necessary. Allowing time to pass between writing, editing, proofreading, and polishing is absolutely essential! We know the brain will read incorrect text correctly, plugging in words and proper grammar, spelling, and punctuation. That time away really does give us fresh eyes! I love your strategy for working on multiple projects simultaneously.

Brad

There are good things to be said for the traditional formula, but as you say it isn’t the only method that works. I have written eight novels and dozens upon dozens of short stories and never once sat down to do a brainstorming session to come up with ideas. I do a lot of research, but most of it as I go along during the writing process. The last three steps I think are golden though.

I do have one new organization tip to share though. If your tech savvy enough to do a local install of wordpress on your computer it can become a great writing tool. Not only does it have a simple to use word processor in the form of the posting tool, it allows you to categorize your research and there are plenty of tagging plugins that will allow you to easily cross reference notes and text.

I LOVE the idea of using a local installation of WordPress for research and novel writing. I can imagine all the benefits with links and images, even video. Hmm. I don’t know how to do a local installation, but I’m thinking another option would be to load WP onto a live domain and simply put it in permanent maintenance mode (plugin) or set up some kind of password protection to block it from the public. I definitely need to think about this as a tool. Thanks for the tip, Brad!

Chris Smith

I use Scrivener ( https://www.literatureandlatte.com/ ) for all my writing. It’s great for research and saving web pages, building characters, plotting and planning, all in one place. And best of all you can break down a story into scenes (separate documents) within Scrivener itself – something you can’t do in Word or similar. Wordpress is all very well, but you can’t see all posts/pages at once in a sidebar – something you *can* do in Scrivener. You can download a free trial of Scrivener to see whether it’s for you. Don’t be put off by the complicated look of it – you can use as much or as little of it as you like and there are some very handy videos and tips on using it. I’ve found it’s the best thing for writing blog posts, short stories, novels, scripts, you name it. It can’t hurt to give it a go.

I agree, Chris. Scrivener is amazing. I use it for fiction and poetry, and it’s made the writing process so much smoother. I highly recommend it to all writers. Plus, it’s reasonably priced.

I’m loving reading all these, but I don’t really have a process … I sit at the keyboard and hope something comes out of my fingertips … and if it doesn’t I let myself get distracted by shiny things like Twitter.

(Okay, I never said it was a PRODUCTIVE method.)

Really? I would have guessed that you use outlines at least some of the time. I definitely have to use outlines for longer works of nonfiction, and I always outline website copy when I’m writing for clients. It’s such a good (and productive) way to organize your thoughts, but for fiction and poetry (and many blog posts) I often let it flow freely, and it turns out that method is productive too 😉

Kylee

Hello Melissa, My name is Kylee and I’m 15. Being naturally gifted in journalism, its a dream or fantasy of mine to become an author. For me to get into my ‘zone’ I have to be in a completely serene enviroment for hours. I’ve written short stories and essays but would like to complete the ultimate thrill of Mine: a novel. Its frustrating really, the difficulties of finding my creative writing process. I have difficulties in making a plot complex enough, and character development. I know they are major issues but I’m having trouble perfecting my writing. If you could help me in any way, I’d gladly appreciate it. Thank you.

You’re getting an early start. The best advice I have for you is to read a lot. If you want to be a novelist, then read as many novels as you can. Try keeping a reading journal where you can write down your thoughts and observations about how other authors handle plot and character development. You’ll find that you start to read differently. Instead of reading for enjoyment or entertainment, it also becomes a fun study in your craft. You can visit my Writing Resources section or Books page to check out my recommendations for books on the craft of writing. Good luck to you!

Linda Maye Adams, Soldier, Storyteller

Mine’s pretty simple:

1. Do background research. Mostly stuff for the setting like common plants and animals, names of places, photographs. I’ll also read books to familiarize myself with whatever topic of the book in involved.

2. Start writing.

3. Do spot research as I’m writing. Search for the name of something, looking at pictures of something to help me describe it; etc.

4. Move around the scenes as I write, which is sort of like shaking out the wrinkles in a sheet. I add new things that occur to me, correct typos, etc.

That’s excellent, Linda. It sounds like you’ve nailed your process!

Meghan Adona

I have no writing process, actually. I’m the type of person who thinks while I’m writing, or I think of an image and the story comes out suddenly. I also think before I write, and imagine how the scenes will turn out. I’m a very visual person when it comes to writing. In addition, I found out that when I do plan, my stories never get drafted at all, or they do but I don’t like it. Planning never really works for me. I need to let all my ideas be out of my mind, and not from pre-writing.

All that matters is that you’ve found the process that works for you, and it sounds like you have!

Rod Raglin

Here’s a trick (procedure, technique, system, gimmick) I use when I’m writing a novel. I don’t write linearly. Some parts of the story are more appealing to me than others so depending on my mood (perhaps that should be muse) I jump around. Admittedly, connecting the scenes may take a bit of of revision since I never know where the story will eventually take me, and on occasion I’ve had to trash a significant amount. That’s okay, since my goal is to enjoy myself every time I sit down to write – and I do.

This method works well for a lot of writers. I mostly try to write my own drafts linearly, but I skip around if I’m struck with inspiration.

Every writer experiences different levels of enjoyment during the process. In my experience, most writers encounter a lot of frustration at certain points in the process. So I have come to view writing as rewarding rather than enjoyable. A lot of the work is fun, but a lot of it is difficult, tedious, even maddening. But at the end, it’s all worth it if you can push through the hard parts.

Book suggestion: The Writer’s Process, Getting Your Brain in Gear by Anne H. Janzer.

This book explains the actual psychology behind the creative process and then suggests how to apply it to your work. Some good insights.

Thanks for the recommendation, Rod. I’m always looking for books on the craft of writing to add to my collection.

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Creative Primer

What is Creative Writing? A Key Piece of the Writer’s Toolbox

Brooks Manley

Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.

Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!

What is Creative Writing?

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as:

  • short stories
  • screenplays

It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.

5 Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .

For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.

If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.

For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .

Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.

So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

4 Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .

1. Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.

2. Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining:

  • the main points

Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

3. Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .

4. Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Read Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practice Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attend Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .

Start Creative Writing Today!

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .

Happy writing!

Brooks Manley

Brooks Manley

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Creative Primer  is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024: 

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Writing Beginner

What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Bright, colorful creative writer's desk with notebook and typewriter -- What Is Creative Writing

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

  • Short stories
  • Screenplays
  • Flash fiction
  • Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.

Conciseness

Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.

Consistency

Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

  • Find a time of day when your mind is most alert and creative.
  • Create a comfortable writing space free from distractions.
  • Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
  • Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
  • Reading is fuel for your writing. Explore various genres and styles.
  • Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
  • Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
  • Small projects can help you hone your skills and boost your confidence.
  • Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
  • Participating in workshops or classes can also provide valuable insights into your writing.
  • Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
  • Be open to feedback and willing to rework your pieces.
  • Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
  • These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

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Understanding the four stages of the creative process

There’s a lot that science can teach us about what goes into the creative process—and how each one of us can optimize our own.

process of creative writing

How do great artists and innovators come up with their most brilliant ideas ? And by what kind of alchemical process are they able to bring those ideas to life? 

I have eagerly sought the answers to these questions over the past decade of my career as a psychology writer. My fascination with the lives and minds of brilliant artists and innovators has led me on a quest to discover what makes us creative , where ideas come from, and how they come to life. But even after writing an entire book on the science of creativity and designing a creative personality test , there are more questions than answers in my mind. 

Decades of research have yet to uncover the unique spark of creative genius. Creativity is as perplexing to us today as it was to the ancients, who cast creative genius in the realm of the supernatural and declared it the work of the muses.  

What the science does show is that creative people are complex and contradictory. Their creative processes tend to be chaotic and nonlinear—which seems to mirror what’s going on in their brains. Contrary to the “right-brain myth,” creativity doesn’t just involve a single brain region or even a single side of the brain. Instead, the creative process draws on the whole brain. It’s a dynamic interplay of many diverse brain regions, thinking styles, emotions, and unconscious and conscious processing systems coming together in unusual and unexpected ways. 

But while we may never find the formula for creativity, there’s still a lot that science can teach us about what goes into the creative process—and how each one of us can optimize our own. 

Understanding your own creative process

One of the most illuminating things I’ve found is a popular four-stage model of the creative process developed in the 1920s. In his book The Art of Thought , British psychologist Graham Wallas outlined a theory of the creative process based on many years of observing and studying accounts of inventors and other creative types at work. 

The four stages of the creative process: 

Stage 1: preparation.

The creative process begins with preparation: gathering information and materials, identifying sources of inspiration, and acquiring knowledge about the project or problem at hand. This is often an internal process (thinking deeply to generate and engage with ideas) as well as an external one (going out into the world to gather the necessary data, resources, materials, and expertise). 

Stage 2: Incubation

Next, the ideas and information gathered in stage 1 marinate in the mind. As ideas slowly simmer, the work deepens and new connections are formed. During this period of germination, the artist takes their focus off the problem and allows the mind to rest. While the conscious mind wanders, the unconscious engages in what Einstein called “combinatory play”: taking diverse ideas and influences and finding new ways to bring them together. 

Stage 3: Illumination

Next comes the elusive aha moment. After a period of incubation, insights arise from the deeper layers of the mind and break through to conscious awareness, often in a dramatic way. It’s the sudden Eureka! that comes when you’re in the shower, taking a walk, or occupied with something completely unrelated. Seemingly out of nowhere, the solution presents itself. 

Stage 4: Verification

Following the aha moment, the words get written down, the vision is committed to paint or clay, the business plan is developed. Whatever ideas and insights arose in stage 3 are fleshed out and developed. The artist uses critical thinking and aesthetic judgment skills to hone and refine the work and then communicate its value to others. 

Of course, these stages don’t always play out in such an orderly, linear fashion. The creative process tends to look more like a zigzag or spiral than a straight line. The model certainly has its limitations, but it can offer a road map of sorts for our own creative journey, offering a direction, if not a destination. It can help us become more aware of where we’re at in our own process, where we need to go, and the mental processes that can help us get there. And when the process gets a little too messy, coming back to this framework can help us to recenter, realign, and chart the path ahead. 

For instance, if you can’t seem to get from incubation to illumination, the solution might be to go back to stage 1, gathering more resources and knowledge to find that missing element. Or perhaps, in the quest for productivity , you’ve made the all-too-common mistake of skipping straight to stage 4, pushing ahead with a half-baked idea before it’s fully marinated. In that case, carving out time and space for stage 2 may be the necessary detour. 

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How to optimize your creative process for ultimate success

But let’s dig a little deeper: As I’ve contemplated and applied the four-stage model in my own work, I’ve found within it a much more profound insight into the mysteries of creation.  

At its heart, any creative process is about discovering something new within ourselves and then bringing that something into the world for others to experience and enjoy. The work of the artist, the visionary, the innovator is to bridge their inner and outer worlds—taking something that only exists within their own mind and heart and soul and birthing it into concrete, tangible form (you know, not unlike that other kind of creative process). 

Any creative process is a dance between the inner and the outer; the unconscious and conscious mind; dreaming and doing; madness and method; solitary reflection and active collaboration. Psychologists describe it in simple terms of inspiration (coming up with ideas) and generation (bringing ideas to life). 

In the four-stage model, we can see how the internal and external elements of the creative process interact. stages 2 and 3 are all about inspiration: dreaming, reflecting, imagining, opening up to inspiration, and allowing the unconscious mind to do its work. Stages 1 and 4, meanwhile, are about generation: doing the external work of research, planning, execution, and collaboration. Through a dynamic dance of inspiration and generation, brilliant work comes to life. 

How does this help us in our own creative process? The more we master this balance, the more we can tap into our creative potential. We all have a preference for one side over the other, and by becoming more aware of our natural inclinations, we can learn how to optimize our strengths and minimize our weaknesses.  

More inward-focused, idea-generating types excel in stages 2 and 3: getting inspired and coming up with brilliant ideas. But they run the risk of getting stuck in their own heads and failing to materialize their brilliant ideas in the world. These thinkers and dreamers often need to bring more time and focus to stages 1 and 4 in order to keep their creative process on track. Balance inspiration with generation by creating the necessary structures to help you commit to action and put one foot in front of the other to make it happen—or just collaborate with a doer who you can outsource your ideas to! 

Doer types, on the other hand, shine in stages 1 and 4. They’re brilliant at getting things done, but they risk putting all their focus on productivity at the expense of the inner work and big-picture thinking that helps produce truly inspired work. When we bypass the critical work that occurs in the incubation stage, we miss out on our most original and groundbreaking ideas. If you’re a doer/generator, you can up-level your creative process by clearing out the space in your mind and your schedule to dream, imagine, reflect, and contemplate. 

By seeking a balance of these opposing forces, we can bring some order to the chaos of the creative process. And as we become dreamers who do and doers who dream, we empower ourselves to share more of our creative gifts with the world. 

WeWork’s space products including  On Demand ,  All Access , and  dedicated spaces  help businesses of all sizes solve their biggest challenges.

Carolyn Gregoire is a writer and creative consultant living in Brooklyn. She is the co-author of  Wired to Create: Unravelling the Mysteries of the Creative Mind  and the creator of the Creative Types personality test. Her work has been featured in the New York Times, Scientific American, TIME, Harvard Business Review, and other publications.

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MIT Comparative Media Studies/Writing

Resources for Writers: The Writing Process

Writing is a process that involves at least four distinct steps: prewriting, drafting, revising, and editing. It is known as a recursive process. While you are revising, you might have to return to the prewriting step to develop and expand your ideas.

  • Prewriting is anything you do before you write a draft of your document. It includes thinking, taking notes, talking to others, brainstorming, outlining, and gathering information (e.g., interviewing people, researching in the library, assessing data).
  • Although prewriting is the first activity you engage in, generating ideas is an activity that occurs throughout the writing process.
  • Drafting occurs when you put your ideas into sentences and paragraphs. Here you concentrate upon explaining and supporting your ideas fully. Here you also begin to connect your ideas. Regardless of how much thinking and planning you do, the process of putting your ideas in words changes them; often the very words you select evoke additional ideas or implications.
  • Don’t pay attention to such things as spelling at this stage.
  • This draft tends to be writer-centered: it is you telling yourself what you know and think about the topic.
  • Revision is the key to effective documents. Here you think more deeply about your readers’ needs and expectations. The document becomes reader-centered. How much support will each idea need to convince your readers? Which terms should be defined for these particular readers? Is your organization effective? Do readers need to know X before they can understand Y?
  • At this stage you also refine your prose, making each sentence as concise and accurate as possible. Make connections between ideas explicit and clear.
  • Check for such things as grammar, mechanics, and spelling. The last thing you should do before printing your document is to spell check it.
  • Don’t edit your writing until the other steps in the writing process are complete.

Library Home

Elements of Creative Writing

(3 reviews)

process of creative writing

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Attribution-NonCommercial

Learn more about reviews.

Reviewed by Colin Rafferty, Professor, University of Mary Washington on 8/2/24

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each... read more

Comprehensiveness rating: 5 see less

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each genre. The included links to referred texts also builds in an automatic, OER-based anthology for students. Terms are not only defined clearly, but also their utility is explained--here's what assonance can actually do in a poem, rather than simply "it's repeated vowel sounds,"

Content Accuracy rating: 5

Calling the content "accurate" requires a suspension of the notion that art and writing aren't subjective; instead, it might be more useful to judge the content on the potential usefulness to students, in which case it' s quite accurate. Reading this, I often found myself nodding in agreement with the authors' suggestions for considering published work and discussing workshop material, and their prompts for generating creative writing feel full of potential. It's as error-free, if not more so, than most OER textbooks (which is to say: a few typos here and there) and a surprising number of trade publications. It's not unbiased, per se--after all, these are literary magazine editors writing the textbook and often explaining what it is about a given piece of writing that they find (or do not find) engaging and admirable--but unbiased isn't necessarily a quantity one looks for in creative writing textbooks.

Relevance/Longevity rating: 4

The thing about creative writing is that they keep making more of it, so eventually the anthology elements of this textbook will be less "look what's getting published these days" and more "look what was getting published back then," but the structure of the textbook should allow for substitution and replacement (that said, if UNI pulls funding for NAR, as too many universities are doing these days, then the bigger concern is about the archive vanishing). The more rhetorical elements of the textbook are solid, and should be useful to students and faculty for a long time.

Clarity rating: 5

Very clear, straightforward prose, and perhaps more importantly, there's a sense of each author that emerges in each section, demonstrating to students that writing, especially creative writing, comes from a person. As noted above, any technical jargon is not only explained, but also discussed, meaning that how and why one might use any particular literary technique are emphasized over simply rote memorization of terms.

Consistency rating: 4

It's consistent within each section, but the voice and approach change with each genre. This is a strength, not a weakness, and allows the textbook to avoid the one-size-fits-all approach of single-author creative writing textbooks. There are different "try this" exercises for each genre that strike me as calibrated to impress the facets of that particular genre on the student.

Modularity rating: 5

The three-part structure of the book allows teachers to start wherever they like, genre-wise. While the internal structure of each section does build upon and refer back to earlier chapters, that seems more like an advantage than a disadvantage. Honestly, there's probably enough flexibility built into the textbook that even the callbacks could be glossed over quickly enough in the classroom.

Organization/Structure/Flow rating: 5

Chapters within each genre section build upon each other, starting with basics and developing the complexity and different elements of that genre. The textbook's overall organization allows some flexibility in terms of starting with fiction, poetry, or nonfiction.

Interface rating: 4

Easy to navigate. I particularly like the way that links for the anthology work in the nonfiction section (clearly appearing at the side of the text in addition to within it) and would like to see that consistently applied throughout.

Grammatical Errors rating: 5

A few typos here and there, but you know what else generally has a few typos here and there? Expensive physical textbooks.

Cultural Relevance rating: 5

The anthology covers a diverse array of authors and cultural identities, and the textbook authors are not only conscious of their importance but also discuss how those identities affect decisions that the authors might have made, even on a formal level. If you find an underrepresented group missing, it should be easy enough to supplement this textbook with a poem/essay/story.

Very excited to use this in my Intro to CW classes--unlike other OERs that I've used for the field, this one feels like it could compete with the physical textbooks head-to-head. Other textbooks have felt more like a trade-off between content and cost.

Reviewed by Jeanne Cosmos, Adjunct Faculty, Massachusetts Bay Community College on 7/7/24

Direct language and concrete examples & Case Studies. read more

Direct language and concrete examples & Case Studies.

References to literature and writers- on track.

Relevance/Longevity rating: 5

On point for support to assist writers and creative process.

Direct language and easy to read.

First person to third person. Too informal in many areas of the text.

Units are readily accessible.

Process of creative writing and prompts- scaffold areas of learning for students.

Interface rating: 5

No issues found.

The book is accurate in this regard.

Cultural Relevance rating: 4

Always could be revised and better.

Yes. Textbook font is not academic and spacing - also not academic. A bit too primary. Suggest- Times New Roman 12- point font & a space plus - Some of the language and examples too informal and the tone of lst person would be more effective if - direct and not so 'chummy' as author references his personal recollections. Not effective.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

As far as I can tell, content is accurate, error free and unbiased.

The book is relevant and up-to-date.

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Topics are presented in logical, clear fashion.

Navigation is good.

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

  • Introduction
  • Chapter One: One Great Way to Write a Short Story
  • Chapter Two: Plotting
  • Chapter Three: Counterpointed Plotting
  • Chapter Four: Show and Tell
  • Chapter Five: Characterization and Method Writing
  • Chapter Six: Character and Dialouge
  • Chapter Seven: Setting, Stillness, and Voice
  • Chapter Eight: Point of View
  • Chapter Nine: Learning the Unwritten Rules
  • Chapter One: A Poetry State of Mind
  • Chapter Two: The Architecture of a Poem
  • Chapter Three: Sound
  • Chapter Four: Inspiration and Risk
  • Chapter Five: Endings and Beginnings
  • Chapter Six: Figurative Language
  • Chapter Seven: Forms, Forms, Forms
  • Chapter Eight: Go to the Image
  • Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

  • Chapter One: Creative Nonfiction and the Essay
  • Chapter Two: Truth and Memory, Truth in Memory
  • Chapter Three: Research and History
  • Chapter Four: Writing Environments
  • Chapter Five: Notes on Style
  • Chapter Seven: Imagery and the Senses
  • Chapter Eight: Writing the Body
  • Chapter Nine: Forms

Back Matter

  • Contributors
  • North American Review Staff

Ancillary Material

  • University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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Do You Know The 7 Steps Of The Writing Process?

How much do you know about the different stages of the writing process? Even if you’ve been writing for years, your understanding of the processes of writing may be limited to writing, editing, and publishing. 

It’s not your fault. Much of the writing instruction in school and online focus most heavily on those three critical steps. 

Important as they are, though, there’s more to creating a successful book than those three. And as a writer, you need to know.   

The 7 Steps of the Writing Process

Read on to familiarize yourself with the seven writing process steps most writers go through — at least to some extent. The more you know each step and its importance, the more you can do it justice before moving on to the next. 

1. Planning or Prewriting

This is probably the most fun part of the writing process. Here’s where an idea leads to a brainstorm, which leads to an outline (or something like it). 

process of creative writing

Whether you’re a plotter, a pantser, or something in between, every writer has some idea of what they want to accomplish with their writing. This is the goal you want the final draft to meet. 

With both fiction and nonfiction , every author needs to identify two things for each writing project: 

  • Intended audience = “For whom am I writing this?”
  • Chosen purpose = “What do I want this piece of writing to accomplish?”

In other words, you start with the endpoint in mind. You look at your writing project the way your audience would. And you keep its purpose foremost at every step. 

From planning, we move to the next fun stage. 

2. Drafting (or Writing the First Draft)

There’s a reason we don’t just call this the “rough draft,” anymore. Every first draft is rough. And you’ll probably have more than one rough draft before you’re ready to publish. 

For your first draft, you’ll be freewriting your way from beginning to end, drawing from your outline, or a list of main plot points, depending on your particular process. 

To get to the finish line for this first draft, it helps to set word count goals for each day or each week and to set a deadline based on those word counts and an approximate idea of how long this writing project should be. 

Seeing that deadline on your calendar can help keep you motivated to meet your daily and weekly targets. It also helps to reserve a specific time of day for writing. 

Another useful tool is a Pomodoro timer, which you can set for 20-25 minute bursts with short breaks between them — until you reach your word count for the day. 

3. Sharing Your First Draft

Once you’ve finished your first draft, it’s time to take a break from it. The next time you sit down to read through it, you’ll be more objective than you would be right after typing “The End” or logging the final word count. 

It’s also time to let others see your baby, so they can provide feedback on what they like and what isn’t working for them.

You can find willing readers in a variety of places: 

  • Social media groups for writers
  • Social media groups for readers of a particular genre
  • Your email list (if you have one)
  • Local and online writing groups and forums

This is where you’ll get a sense of whether your first draft is fulfilling its original purpose and whether it’s likely to appeal to its intended audience. 

You’ll also get some feedback on whether you use certain words too often, as well as whether your writing is clear and enjoyable to read. 

4. Evaluating Your Draft

Here’s where you do a full evaluation of your first draft, taking into account the feedback you’ve received, as well as what you’re noticing as you read through it. You’ll mark any mistakes with grammar or mechanics. 

And you’ll look for the answer to important questions: 

  • Is this piece of writing effective/ Does it fulfill its purpose?
  • Do my readers like my main character? (Fiction)
  • Does the story make sense and satisfy the reader? (Fiction)
  • Does it answer the questions presented at the beginning? ( Nonfiction )
  • Is it written in a way the intended audience can understand and enjoy?

Once you’ve thoroughly evaluated your work, you can move on to the revision stage and create the next draft. 

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5. Revising Your Content

Revising and editing get mixed up a lot, but they’re not the same thing. 

With revising, you’re making changes to the content based on the feedback you’ve received and on your own evaluation of the previous draft. 

  • To correct structural problems in your book or story
  • To find loose ends and tie them up (Fiction)
  • To correct unhelpful deviations from genre norms (Fiction)
  • To add or remove content to improve flow and/or usefulness

You revise your draft to create a new one that comes closer to achieving your original goals for it. Your newest revision is your newest draft. 

If you’re hiring a professional editor for the next step, you’ll likely be doing more revision after they’ve provided their own feedback on the draft you send them. 

Editing is about eliminating errors in your (revised) content that can affect its accuracy, clarity, and readability.

process of creative writing

By the time editing is done, your writing should be free of the following: 

  • Grammatical errors
  • Punctuation/mechanical and spelling errors
  • Misquoted content
  • Missing (necessary) citations and source info
  • Factual errors
  • Awkward phrasing
  • Unnecessary repetition

Good editing makes your work easier and more enjoyable to read. A well-edited book is less likely to get negative reviews titled, “Needs editing.” And when it comes to books, it’s best to go beyond self-editing and find a skilled professional. 

A competent editor will be more objective about your work and is more likely to catch mistakes you don’t see because your eyes have learned to compensate for them. 

7. Publishing Your Final Product

Here’s where you take your final draft — the final product of all the previous steps — and prepare it for publication. 

Not only will it need to be formatted (for ebook, print, and audiobook), but you’ll also need a cover that will appeal to your intended audience as much as your content will. 

Whether you budget for these things or not depends on the path you choose to publish your book: 

  • Traditional Publishing — where the publishing house provides editing, formatting, and cover design, as well as some marketing
  • Self-Publishing — where you contract with professionals and pay for editing, formatting, and cover design. 
  • Self-Publishing with a Publishing Company — where you pay the company to provide editing, formatting, and cover design using their in-house professionals.

And once your book is live and ready to buy, it’s time to make it more visible to your intended audience. Otherwise, it would fail in its purpose, too. 

Are you ready to begin 7 steps of the writing process?

Now that you’re familiar with the writing process examples in this post, how do you envision your own process?

While it should include the seven steps described here, it’ll also include personal preferences of your own — like the following: 

  • Writing music and other ambient details
  • Writing schedule
  • Word count targets and time frames

The more you learn about the finer details of the writing process, the more likely you are to create content your readers will love. And the more likely they are to find it. 

Wherever you are in the process, our goal here is to provide content that will help you make the most of it. 

7 steps of the writing process

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process of creative writing

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process of creative writing

What is Creative Writing?

Discover What Is Creative Writing as we unravel the art of self-expression through words. In this blog, learn the meaning and techniques of creative writing, igniting your imagination and honing your storytelling skills. Unlock the world of literary creativity and learn how to craft compelling narratives that captivate readers.

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Creative Writing is a form of art that allows people to express their thoughts, ideas, and emotions through the written word. It is a mode of self-expression that combines imagination with linguistic skills to create compelling narratives, poems, and other forms of literature. A Statista survey found that 76,300 Authors, Writers and Translators work in the United Kingdom alone in 2023. This shows Creative Writing is a demanding career worldwide.To know more about it, read this blog, to learn What is Creative Writing, how to write captivating narratives, and discover the essence of expressive writing.

Table of Contents  

1) Understanding What is Creative Writing   

2) Key elements of Creative Writing   

3) Types of Creative Writing  

4)  Importance of Creative Writing

5) The Creative Writing process  

6) Tips for effective Content Writing  

7) Conclusion  

Understanding What is Creative Writing

Creative Writing is the art of crafting original content that elicits readers' emotions, thoughts, and imagination. Unlike Academic or Technical Writing, Creative Writing allows for more personal expression and imaginative exploration. It encompasses various forms such as fiction, poetry, non-fiction, and drama, all of which share the common thread of artistic storytelling.    

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Key elements of Creative Writing  

Key Elements of Creative Writing

2) Character development: Compelling characters are the heart of any great story. Through careful development, characters become relatable, complex, and capable of driving the plot forward.    

3) Setting and atmosphere: The setting and atmosphere create the backdrop for the story. By skilfully crafting these elements, Writers can enhance the overall mood and tone, allowing readers to feel like they're living within the story's world.    

4) Plot and storytelling: A well-crafted story keeps readers engaged and invested in the narrative's progression. This includes introducing conflicts, building tension, and crafting satisfying resolutions .    

5) Dialogue and voice: Dialogue adds authenticity to characters and provides insight into their personalities. A distinctive narrative voice also contributes to the story's uniqueness and captivates readers.   

Types of Creative Writing  

Creative Writing encompasses various genres and forms, each offering a unique platform for expressing creativity, storytelling, and emotion. As you delve into the world of Creative Writing, it's essential to explore the various types and discover which resonates with you the most. Here are some of the prominent types of Creative Writing:   

Types of Creative Writing

1) Fiction  

Fiction is perhaps the most well-known type of Creative Writing. It involves inventing characters, settings, and plotlines from scratch. Writers have the freedom to create entire worlds and realities, whether they're set in the past, present, future, or even in alternate dimensions.

Novels, short stories, novellas, and flash fiction are all forms of fiction that engage readers through compelling characters, intriguing conflicts, and imaginative settings. From fantasy realms to gritty crime dramas, fiction transports readers to new and exciting places.

2) Poetry  

Poetry is the art of condensing language to evoke emotions, provoke thoughts, and communicate complex ideas using rhythm, rhyme, and vivid imagery. Poems' conciseness requires Writers to choose their words carefully, often crafting multiple layers of meaning within a few lines.

Poetry can take various forms, including sonnets, haikus, free verse, and slam poetry. Each form carries its own rules and conventions, allowing Poets to experiment with structure and sound to create impactful compositions. Moreover, poetry delves into the depth of emotions, exploring themes ranging from love and nature to social issues and personal reflections.

3) Creative non-fiction

Non-fiction writing draws from real-life experiences, observations, and research to convey information, insights, and personal perspectives. This form includes genres such as essays, memoirs, biographies, autobiographies, and journalistic pieces.

Non-fiction Writers blend storytelling with factual accuracy, presenting their ideas in a compelling and informative manner. Personal essays offer a glimpse into the writer's thoughts and experiences. At the same time, memoirs and autobiographies share personal journeys and reflections, connecting readers with the author's life story.    

4) Drama and playwriting  

Playwriting is the creation of scripts for theatrical performances. The challenge lies in crafting engaging dialogue and constructing scenes that captivate both the audience and the performers.

Dramatic Writing requires an understanding of pacing, character motivations, and the visual aspects of storytelling. While Theatrical Writing requires a keen sense of the following:    

a) Character dynamics: Building relationships between characters and exploring their motivations and conflicts. 

b)  Stage directions: Providing clear instructions for actors, directors, and stage designers to bring the play to life.

c) Dramatic structure: Crafting acts and scenes that build tension and engage the audience.  

5) Satire and humour  

Satire and humour utilise wit, sarcasm, and clever wordplay to critique and mock societal norms, institutions, and human behaviour. This form of Creative Writing often challenges readers to view the world from a different perspective.

Moreover, it encourages them to question established conventions. Satirical works, whether in literature, essays, or satirical news articles, aim to entertain while also prompting reflection on serious topics. 

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Importance of Creative Writing  

Creative Writing holds a profound significance beyond its role as a literary pursuit. It bridges imagination and reality, fostering personal growth, communication skills, and cultural preservation. Here's a closer look at why Creative Writing is of paramount importance:   

1) Personal expression and catharsis  

Creative Writing is a sanctuary for self-expression. Individuals can voice their innermost thoughts, emotions, and experiences through poetry, stories, and essays. This act of sharing vulnerabilities and joy brings about a cathartic release, offering a therapeutic outlet for emotional expression. Moreover, it cultivates a deeper understanding of oneself, promoting self-awareness and self-acceptance.   

2) Cultivation of communication skills  

The art of Creative Writing cultivates effective Communication Skills that transcend the written word. Writers learn to convey ideas, concepts, and feelings coherently and captivatingly.

This proficiency extends to verbal communication, enabling Writers to articulate their thoughts with clarity and eloquence. As a result, it enriches interpersonal relationships and professional endeavours.   

3) Nurturing empathy and perspective  

Writers develop a heightened sense of empathy as they craft diverse characters and explore multifaceted narratives. Immersing oneself in the shoes of different characters fosters understanding and tolerance for various viewpoints and backgrounds. Readers, in turn, experience this empathy, gaining insight into the complexities of human nature and the diverse tapestry of human experience.    

4) Exploration of social issues  

Writers wield the power to effect change through their words. They can shed light on societal issues, challenge norms, and provoke critical conversations. By addressing topics such as social justice, equality, and environmental concerns, Creative Writing becomes a catalyst for positive transformation and advocacy.   

5) Connection and impact  

Creative Writing builds bridges between individuals by establishing connections on emotional and intellectual levels. Stories resonate across cultures, transcending geographical and temporal boundaries. The impact of a well-crafted story can be enduring, leaving a mark on readers' hearts and minds.

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The Creative Writing process  

The Creative Writing Process

Creating a compelling piece of Creative Writing is a journey that involves a series of steps, each contributing to the evolution of your story. Whether you're crafting a short story, a novel, or a poem, here's a breakdown of the Creative Writing process in eight essential steps:  

1) Finding inspiration  

The process begins with a moment of inspiration—a fleeting thought, an intriguing image, or a powerful emotion. Inspiration can strike anywhere—nature, experiences, dreams, or simple observation.

Keep a journal or digital note-taking app to capture these sparks of inspiration as they occur. Explore your interests, passions, and emotions to identify themes and ideas that resonate with you.  

2) Exploring ideas and brainstorming   

Once you've identified an inspiring concept, delve deeper. Brainstorm ideas related to characters, settings, conflicts, and themes. Jot down all possibilities, allowing your imagination to roam freely. This stage is about generating a wealth of creative options that will serve as building blocks for your story. 

3) Planning and outlining  

Organise your thoughts by creating an outline. Outline your story's major plot points, character arcs, and pivotal moments. This outline acts as a roadmap, guiding you through the narrative's progression while providing flexibility for creative surprises.   

4) Writing the first draft  

Once you are done with your outline, start writing your first draft. Don't worry about perfection—focus on getting your ideas onto paper. Let your creativity flow and allow your characters to surprise you. The goal is to have a complete manuscript, even if it's messy and imperfect.  

5) Revising for content  

Once the first draft is complete, take a step back before revisiting your work. During this stage, focus on revising for content. Analyse the structure of your plot, the development of your characters, and the coherence of your themes. Make necessary changes, add details, and refine dialogue. Ensure that your story's foundation is solid before moving on.  

6) Editing and polishing  

Edit your Manuscript for grammar, punctuation, sentence structure, and style. Pay attention to clarity and consistency. Also, focus on enhancing the flow of your writing and creating a polished narrative that engages readers. 

7) Feedback and peer review 

Share your revised work with others—friends, writing groups, or beta readers—to gather feedback. Constructive criticism can highlight blind spots and offer perspectives you might have missed. Use this feedback to refine your work further.  

8) Finalising and proofreading  

Incorporate the feedback you've received and make final revisions. Proofread meticulously for any remaining errors. Ensure that your work is formatted correctly and adheres to any submission guidelines if you plan to publish or share it.  

Tips for effective Creative Writing  

Here are some of the useful tips you should consider incorporating in your process of writing :  

1) Show, don't tell: Instead of directly stating emotions or details, "showing" involves using actions, thoughts, and dialogue to convey information. This technique allows readers to draw their own conclusions and become more immersed in the story.  

2) Use of metaphors and similes: Metaphors and similes offer creative ways to describe complex concepts by comparing them to something familiar. These literary devices add depth and creativity to your writing.  

3) Building suspense and tension: By strategically withholding information and creating unanswered questions, Writers can build suspense and keep readers eagerly turning pages.  

4) Crafting memorable beginnings and endings: A strong opening captures readers' attention, while a satisfying conclusion leaves a lasting impact. These elements bookend your story and influence readers' overall impression.  

5) Experimenting with point of view: The choice of point of view (first person, third person, etc.) shapes how readers experience the story. Experimenting with different perspectives can lead to unique narrative opportunities.  

Conclusion   

We hope this blog gave you a clear idea of What is Creative Writing, along with its process and useful tips. The Creative Writing process is not linear; you might find yourself revisiting earlier steps as your story evolves. Embrace the journey, allowing your writing to develop and transform through each phase. 

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Frequently Asked Questions

a) Literary Agent

b) Screenwriter

c) Video Game Story Writer

d) Copywriter

e) Website Editor

f) Creative Director

There are several resources or recommended readings which can help you to hone your Creative Writing skills. Here we have discussed some of such resources:

a) “On Writing: A Memoir of the Craft" by Stephen King

b) "Bird by Bird: Some Instructions on Writing and Life" by Anne Lamott

c) "Writing Down the Bones: Freeing the Writer Within" by Natalie Goldberg

d) Joining book clubs

e) Reading a variety of authors and genre

f) Practicing writing regular prompts and exercises.

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Encyclopedia

Writing with artificial intelligence, the ultimate blueprint: a research-driven deep dive into the 13 steps of the writing process.

  • © 2023 by Joseph M. Moxley - Professor of English - USF

This article provides a comprehensive, research-based introduction to the major steps , or strategies , that writers work through as they endeavor to communicate with audiences . Since the 1960s, the writing process has been defined to be a series of steps , stages, or strategies. Most simply, the writing process is conceptualized as four major steps: prewriting , drafting , revising , editing . That model works really well for many occasions. Yet sometimes you'll face really challenging writing tasks that will force you to engage in additional steps, including, prewriting , inventing , drafting , collaborating , researching , planning , organizing , designing , rereading , revising , editing , proofreading , sharing or publishing . Expand your composing repertoire -- your ability to respond with authority , clarity , and persuasiveness -- by learning about the dispositions and strategies of successful, professional writers.

process of creative writing

Table of Contents

Like water cascading to the sea, flow feels inevitable, natural, purposeful. Yet achieving flow is a state of mind that can be difficult to achieve. It requires full commitment to the believing gam e (as opposed to the doubting game ).

What are the Steps of the Writing Process?

Since the 1960s, it has been popular to describe the writing process as a series of steps or stages . For simple projects, the writing process is typically defined as four major steps:

  • drafting  

This simplified approach to writing is quite appropriate for many exigencies–many calls to write . Often, e.g., we might read an email quickly, write a response, and then send it: write, revise, send.

However, in the real world, for more demanding projects — especially in high-stakes workplace writing or academic writing at the high school and college level — the writing process involve additional  steps,  or  strategies , such as 

  • collaboration
  • researching
  • proofreading
  • sharing or publishing.  

Related Concepts: Mindset ; Self Regulation

Summary – Writing Process Steps

The summary below outlines the major steps writers work through as they endeavor to develop an idea for an audience .

1. Prewriting

Prewriting refers to all the work a writer does on a writing project before they actually begin writing .

Acts of prewriting include

  • Prior to writing a first draft, analyze the context for the work. For instance, in school settings students may analyze how much of their grade will be determined by a particular assignment. They may question how many and what sources are required and what the grading criteria will be used for critiquing the work.
  • To further their understanding of the assignment, writers will question who the audience is for their work, what their purpose is for writing, what style of writing their audience expects them to employ, and what rhetorical stance is appropriate for them to develop given the rhetorical situation they are addressing. (See the document planner heuristic for more on this)
  • consider employing rhetorical appeals ( ethos , pathos , and logos ), rhetorical devices , and rhetorical modes they want to develop once they begin writing
  • reflect on the voice , tone , and persona they want to develop
  • Following rhetorical analysis and rhetorical reasoning , writers decide on the persona ; point of view ; tone , voice and style of writing they hope to develop, such as an academic writing prose style or a professional writing prose style
  • making a plan, an outline, for what to do next.

2. Invention

Invention is traditionally defined as an initial stage of the writing process when writers are more focused on discovery and creative play. During the early stages of a project, writers brainstorm; they explore various topics and perspectives before committing to a specific direction for their discourse .

In practice, invention can be an ongoing concern throughout the writing process. People who are focused on solving problems and developing original ideas, arguments , artifacts, products, services, applications, and  texts are open to acts of invention at any time during the writing process.

Writers have many different ways to engage in acts of invention, including

  • What is the exigency, the call to write ?
  • What are the ongoing scholarly debates in the peer-review literature?
  • What is the problem ?
  • What do they read? watch? say? What do they know about the topic? Why do they believe what they do? What are their beliefs, values, and expectations ?
  • What rhetorical appeals — ethos (credibility) , pathos (emotion) , and logos (logic) — should I explore to develop the best response to this exigency , this call to write?
  • What does peer-reviewed research say about the subject?
  • What are the current debates about the subject?
  • Embrace multiple viewpoints and consider various approaches to encourage the generation of original ideas.
  • How can I experiment with different media , genres , writing styles , personas , voices , tone
  • Experiment with new research methods
  • Write whatever ideas occur to you. Focus on generating ideas as opposed to writing grammatically correct sentences. Get your thoughts down as fully and quickly as you can without critiquing them.
  • Use heuristics to inspire discovery and creative thinking: Burke’s Pentad ; Document Planner , Journalistic Questions , The Business Model Canvas
  • Embrace the uncertainty that comes with creative exploration.
  • Listen to your intuition — your felt sense — when composing
  • Experiment with different writing styles , genres , writing tools, and rhetorical stances
  • Play the believing game early in the writing process

3. Researching

Research refers to systematic investigations that investigators carry out to discover new  knowledge , test knowledge claims , solve  problems , or develop new texts , products, apps, and services.

During the research stage of the writing process, writers may engage in

  • Engage in customer discovery interviews and  survey research  in order to better understand the  problem space . Use  surveys , interviews, focus groups, etc., to understand the stakeholder’s s (e.g., clients, suppliers, partners) problems and needs
  • What can you recall from your memory about the subject?
  • What can you learn from informal observation?
  • What can you learn from strategic searching of the archive on the topic that interests you?
  • Who are the thought leaders?
  • What were the major turns to the conversation ?
  • What are the current debates on the topic ?
  • Mixed research methods , qualitative research methods , quantitative research methods , usability and user experience research ?
  • What citation style is required by the audience and discourse community you’re addressing? APA | MLA .

4. Collaboration

Collaboration  refers to the act of working with others to exchange ideas, solve problems, investigate subjects ,  coauthor   texts , and develop products and services.

Collaboration can play a major role in the writing process, especially when authors coauthor documents with peers and teams , or critique the works of others .

Acts of collaboration include

  • Paying close attention to what others are saying, acknowledging their input, and asking clarifying questions to ensure understanding.
  • Expressing ideas, thoughts, and opinions in a concise and understandable manner, both verbally and in writing.
  • Being receptive to new ideas and perspectives, and considering alternative approaches to problem-solving.
  • Adapting to changes in project goals, timelines, or team dynamics, and being willing to modify plans when needed.
  • Distributing tasks and responsibilities fairly among team members, and holding oneself accountable for assigned work.
  • valuing and appreciating the unique backgrounds, skills, and perspectives of all team members, and leveraging this diversity to enhance collaboration.
  • Addressing disagreements or conflicts constructively and diplomatically, working towards mutually beneficial solutions.
  • Providing constructive feedback to help others improve their work, and being open to receiving feedback to refine one’s own ideas and contributions.
  • Understanding and responding to the emotions, needs, and concerns of team members, and fostering a supportive and inclusive environment .
  • Acknowledging and appreciating the achievements of the team and individual members, and using successes as a foundation for continued collaboration and growth.

5. Planning

Planning refers to

  • the process of planning how to organize a document
  • the process of managing your writing processes

6. Organizing

Following rhetorical analysis , following prewriting , writers question how they should organize their texts. For instance, should they adopt the organizational strategies of academic discourse or workplace-writing discourse ?

Writing-Process Plans

  • What is your Purpose? – Aims of Discourse
  • What steps, or strategies, need to be completed next?
  • set a schedule to complete goals

Planning Exercises

  • Document Planner
  • Team Charter

7. Designing

Designing refers to efforts on the part of the writer

  • to leverage the power of visual language to convey meaning
  • to create a visually appealing text

During the designing stage of the writing process, writers explore how they can use the  elements of design  and  visual language to signify , clarify , and simplify the message.

Examples of the designing step of the writing process:

  • Establishing a clear hierarchy of visual elements, such as headings, subheadings, and bullet points, to guide the reader’s attention and facilitate understanding.
  • Selecting appropriate fonts, sizes, and styles to ensure readability and convey the intended tone and emphasis.
  • Organizing text and visual elements on the page or screen in a manner that is visually appealing, easy to navigate, and supports the intended message.
  • Using color schemes and contrasts effectively to create a visually engaging experience, while also ensuring readability and accessibility for all readers.
  • Incorporating images, illustrations, charts, graphs, and videos to support and enrich the written content, and to convey complex ideas in a more accessible format.
  • Designing content that is easily accessible to a wide range of readers, including those with visual impairments, by adhering to accessibility guidelines and best practices.
  • Maintaining a consistent style and design throughout the text, which includes the use of visuals, formatting, and typography, to create a cohesive and professional appearance.
  • Integrating interactive elements, such as hyperlinks, buttons, and multimedia, to encourage reader engagement and foster deeper understanding of the content.

8. Drafting

Drafting refers to the act of writing a preliminary version of a document — a sloppy first draft. Writers engage in exploratory writing early in the writing process. During drafting, writers focus on freewriting: they write in short bursts of writing without stopping and without concern for grammatical correctness or stylistic matters.

When composing, writers move back and forth between drafting new material, revising drafts, and other steps in the writing process.

9. Rereading

Rereading refers to the process of carefully reviewing a written text. When writers reread texts, they look in between each word, phrase, sentence, paragraph. They look for gaps in content, reasoning, organization, design, diction, style–and more.

When engaged in the physical act of writing — during moments of composing — writers will often pause from drafting to reread what they wrote or to reread some other text they are referencing.

10. Revising

Revision  — the process of revisiting, rethinking, and refining written work to improve its  content ,  clarity  and overall effectiveness — is such an important part of  the writing process  that experienced writers often say  “writing is revision” or “all writing is revision.”  

For many writers, revision processes are deeply intertwined with writing, invention, and reasoning strategies:

  • “Writing and rewriting are a constant search for what one is saying.” — John Updike
  • “How do I know what I think until I see what I say.” — E.M. Forster

Acts of revision include

  • Pivoting: trashing earlier work and moving in a new direction
  • Identifying Rhetorical Problems
  • Identifying Structural Problems
  • Identifying Language Problems
  • Identifying Critical & Analytical Thinking Problems

11. Editing

Editing  refers to the act of  critically reviewing  a  text  with the goal of identifying and rectifying sentence and word-level problems.

When  editing , writers tend to focus on  local concerns  as opposed to  global concerns . For instance, they may look for

  • problems weaving sources into your argument or analysis
  • problems establishing  the authority of sources
  • problems using the required  citation style
  • mechanical errors  ( capitalization ,  punctuation ,  spelling )
  • sentence errors ,  sentence structure errors
  • problems with  diction ,  brevity ,  clarity ,  flow ,  inclusivity , register, and  simplicity

12. Proofreading

Proofreading refers to last time you’ll look at a document before sharing or publishing the work with its intended audience(s). At this point in the writing process, it’s too late to add in some new evidence you’ve found to support your position. Now you don’t want to add any new content. Instead, your goal during proofreading is to do a final check on word-level errors, problems with diction , punctuation , or syntax.

13. Sharing or Publishing

Sharing refers to the last step in the writing process: the moment when the writer delivers the message — the text — to the target audience .

Writers may think it makes sense to wait to share their work later in the process, after the project is fairly complete. However, that’s not always the case. Sometimes you can save yourself a lot of trouble by bringing in collaborators and critics earlier in the writing process.

Doherty, M. (2016, September 4). 10 things you need to know about banyan trees. Under the Banyan. https://underthebanyan.blog/2016/09/04/10-things-you-need-to-know-about-banyan-trees/

Emig, J. (1967). On teaching composition: Some hypotheses as definitions. Research in The Teaching of English, 1(2), 127-135. Retrieved from http://files.eric.ed.gov/fulltext/ED022783.pdf

Emig, J. (1971). The composing processes of twelfth graders (Research Report No. 13). Urbana, IL: National Council of Teachers of English.

Emig, J. (1983). The web of meaning: Essays on writing, teaching, learning and thinking. Upper Montclair, NJ: Boynton/Cook Publishers, Inc.

Ghiselin, B. (Ed.). (1985). The Creative Process: Reflections on the Invention in the Arts and Sciences . University of California Press.

Hayes, J. R., & Flower, L. (1980). Identifying the Organization of Writing Processes. In L. W. Gregg, & E. R. Steinberg (Eds.), Cognitive Processes in Writing: An Interdisciplinary Approach (pp. 3-30). Hillsdale, NJ: Lawrence Erlbaum.  

Hayes, J. R. (2012). Modeling and remodeling writing. Written Communication, 29(3), 369-388. https://doi: 10.1177/0741088312451260

Hayes, J. R., & Flower, L. S. (1986). Writing research and the writer. American Psychologist, 41(10), 1106-1113. https://doi.org/10.1037/0003-066X.41.10.1106

Leijten, Van Waes, L., Schriver, K., & Hayes, J. R. (2014). Writing in the workplace: Constructing documents using multiple digital sources. Journal of Writing Research, 5(3), 285–337. https://doi.org/10.17239/jowr-2014.05.03.3

Lundstrom, K., Babcock, R. D., & McAlister, K. (2023). Collaboration in writing: Examining the role of experience in successful team writing projects. Journal of Writing Research, 15(1), 89-115. https://doi.org/10.17239/jowr-2023.15.01.05

National Research Council. (2012). Education for Life and Work: Developing Transferable Knowledge and Skills in the 21st Century . Washington, DC: The National Academies Press.https://doi.org/10.17226/13398.

North, S. M. (1987). The making of knowledge in composition: Portrait of an emerging field. Boynton/Cook Publishers.

Murray, Donald M. (1980). Writing as process: How writing finds its own meaning. In Timothy R. Donovan & Ben McClelland (Eds.), Eight approaches to teaching composition (pp. 3–20). National Council of Teachers of English.

Murray, Donald M. (1972). “Teach Writing as a Process Not Product.” The Leaflet, 11-14

Perry, S. K. (1996).  When time stops: How creative writers experience entry into the flow state  (Order No. 9805789). Available from ProQuest Dissertations & Theses A&I; ProQuest Dissertations & Theses Global. (304288035). https://www.proquest.com/dissertations-theses/when-time-stops-how-creative-writers-experience/docview/304288035/se-2

Rohman, D.G., & Wlecke, A. O. (1964). Pre-writing: The construction and application of models for concept formation in writing (Cooperative Research Project No. 2174). East Lansing, MI: Michigan State University.

Rohman, D. G., & Wlecke, A. O. (1975). Pre-writing: The construction and application of models for concept formation in writing (Cooperative Research Project No. 2174). U.S. Office of Education, Department of Health, Education, and Welfare.

Sommers, N. (1980). Revision Strategies of Student Writers and Experienced Adult Writers. College Composition and Communication, 31(4), 378-388. doi: 10.2307/356600

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The Writing Process | 5 Steps with Examples & Tips

Published on April 24, 2020 by Jack Caulfield . Revised on December 8, 2023.

The writing process steps

Good academic writing requires effective planning, drafting, and revision.

The writing process looks different for everyone, but there are five basic steps that will help you structure your time when writing any kind of text.

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process of creative writing

Table of contents

Step 1: prewriting, step 2: planning and outlining, step 3: writing a first draft, step 4: redrafting and revising, step 5: editing and proofreading, other interesting articles, frequently asked questions about the writing process.

Before you start writing, you need to decide exactly what you’ll write about and do the necessary research.

Coming up with a topic

If you have to come up with your own topic for an assignment, think of what you’ve covered in class— is there a particular area that intrigued, interested, or even confused you? Topics that left you with additional questions are perfect, as these are questions you can explore in your writing.

The scope depends on what type of text you’re writing—for example, an essay or a research paper will be less in-depth than a dissertation topic . Don’t pick anything too ambitious to cover within the word count, or too limited for you to find much to say.

Narrow down your idea to a specific argument or question. For example, an appropriate topic for an essay might be narrowed down like this:

Doing the research

Once you know your topic, it’s time to search for relevant sources and gather the information you need. This process varies according to your field of study and the scope of the assignment. It might involve:

  • Searching for primary and secondary sources .
  • Reading the relevant texts closely (e.g. for literary analysis ).
  • Collecting data using relevant research methods (e.g. experiments , interviews or surveys )

From a writing perspective, the important thing is to take plenty of notes while you do the research. Keep track of the titles, authors, publication dates, and relevant quotations from your sources; the data you gathered; and your initial analysis or interpretation of the questions you’re addressing.

Especially in academic writing , it’s important to use a logical structure to convey information effectively. It’s far better to plan this out in advance than to try to work out your structure once you’ve already begun writing.

Creating an essay outline is a useful way to plan out your structure before you start writing. This should help you work out the main ideas you want to focus on and how you’ll organize them. The outline doesn’t have to be final—it’s okay if your structure changes throughout the writing process.

Use bullet points or numbering to make your structure clear at a glance. Even for a short text that won’t use headings, it’s useful to summarize what you’ll discuss in each paragraph.

An outline for a literary analysis essay might look something like this:

  • Describe the theatricality of Austen’s works
  • Outline the role theater plays in Mansfield Park
  • Introduce the research question: How does Austen use theater to express the characters’ morality in Mansfield Park ?
  • Discuss Austen’s depiction of the performance at the end of the first volume
  • Discuss how Sir Bertram reacts to the acting scheme
  • Introduce Austen’s use of stage direction–like details during dialogue
  • Explore how these are deployed to show the characters’ self-absorption
  • Discuss Austen’s description of Maria and Julia’s relationship as polite but affectionless
  • Compare Mrs. Norris’s self-conceit as charitable despite her idleness
  • Summarize the three themes: The acting scheme, stage directions, and the performance of morals
  • Answer the research question
  • Indicate areas for further study

Once you have a clear idea of your structure, it’s time to produce a full first draft.

This process can be quite non-linear. For example, it’s reasonable to begin writing with the main body of the text, saving the introduction for later once you have a clearer idea of the text you’re introducing.

To give structure to your writing, use your outline as a framework. Make sure that each paragraph has a clear central focus that relates to your overall argument.

Hover over the parts of the example, from a literary analysis essay on Mansfield Park , to see how a paragraph is constructed.

The character of Mrs. Norris provides another example of the performance of morals in Mansfield Park . Early in the novel, she is described in scathing terms as one who knows “how to dictate liberality to others: but her love of money was equal to her love of directing” (p. 7). This hypocrisy does not interfere with her self-conceit as “the most liberal-minded sister and aunt in the world” (p. 7). Mrs. Norris is strongly concerned with appearing charitable, but unwilling to make any personal sacrifices to accomplish this. Instead, she stage-manages the charitable actions of others, never acknowledging that her schemes do not put her own time or money on the line. In this way, Austen again shows us a character whose morally upright behavior is fundamentally a performance—for whom the goal of doing good is less important than the goal of seeming good.

When you move onto a different topic, start a new paragraph. Use appropriate transition words and phrases to show the connections between your ideas.

The goal at this stage is to get a draft completed, not to make everything perfect as you go along. Once you have a full draft in front of you, you’ll have a clearer idea of where improvement is needed.

Give yourself a first draft deadline that leaves you a reasonable length of time to revise, edit, and proofread before the final deadline. For a longer text like a dissertation, you and your supervisor might agree on deadlines for individual chapters.

Now it’s time to look critically at your first draft and find potential areas for improvement. Redrafting means substantially adding or removing content, while revising involves making changes to structure and reformulating arguments.

Evaluating the first draft

It can be difficult to look objectively at your own writing. Your perspective might be positively or negatively biased—especially if you try to assess your work shortly after finishing it.

It’s best to leave your work alone for at least a day or two after completing the first draft. Come back after a break to evaluate it with fresh eyes; you’ll spot things you wouldn’t have otherwise.

When evaluating your writing at this stage, you’re mainly looking for larger issues such as changes to your arguments or structure. Starting with bigger concerns saves you time—there’s no point perfecting the grammar of something you end up cutting out anyway.

Right now, you’re looking for:

  • Arguments that are unclear or illogical.
  • Areas where information would be better presented in a different order.
  • Passages where additional information or explanation is needed.
  • Passages that are irrelevant to your overall argument.

For example, in our paper on Mansfield Park , we might realize the argument would be stronger with more direct consideration of the protagonist Fanny Price, and decide to try to find space for this in paragraph IV.

For some assignments, you’ll receive feedback on your first draft from a supervisor or peer. Be sure to pay close attention to what they tell you, as their advice will usually give you a clearer sense of which aspects of your text need improvement.

Redrafting and revising

Once you’ve decided where changes are needed, make the big changes first, as these are likely to have knock-on effects on the rest. Depending on what your text needs, this step might involve:

  • Making changes to your overall argument.
  • Reordering the text.
  • Cutting parts of the text.
  • Adding new text.

You can go back and forth between writing, redrafting and revising several times until you have a final draft that you’re happy with.

Think about what changes you can realistically accomplish in the time you have. If you are running low on time, you don’t want to leave your text in a messy state halfway through redrafting, so make sure to prioritize the most important changes.

Prevent plagiarism. Run a free check.

Editing focuses on local concerns like clarity and sentence structure. Proofreading involves reading the text closely to remove typos and ensure stylistic consistency. You can check all your drafts and texts in minutes with an AI proofreader .

Editing for grammar and clarity

When editing, you want to ensure your text is clear, concise, and grammatically correct. You’re looking out for:

  • Grammatical errors.
  • Ambiguous phrasings.
  • Redundancy and repetition .

In your initial draft, it’s common to end up with a lot of sentences that are poorly formulated. Look critically at where your meaning could be conveyed in a more effective way or in fewer words, and watch out for common sentence structure mistakes like run-on sentences and sentence fragments:

  • Austen’s style is frequently humorous, her characters are often described as “witty.” Although this is less true of Mansfield Park .
  • Austen’s style is frequently humorous. Her characters are often described as “witty,” although this is less true of Mansfield Park .

To make your sentences run smoothly, you can always use a paraphrasing tool to rewrite them in a clearer way.

Proofreading for small mistakes and typos

When proofreading, first look out for typos in your text:

  • Spelling errors.
  • Missing words.
  • Confused word choices .
  • Punctuation errors .
  • Missing or excess spaces.

Use a grammar checker , but be sure to do another manual check after. Read through your text line by line, watching out for problem areas highlighted by the software but also for any other issues it might have missed.

For example, in the following phrase we notice several errors:

  • Mary Crawfords character is a complicate one and her relationships with Fanny and Edmund undergoes several transformations through out the novel.
  • Mary Crawford’s character is a complicated one, and her relationships with both Fanny and Edmund undergo several transformations throughout the novel.

Proofreading for stylistic consistency

There are several issues in academic writing where you can choose between multiple different standards. For example:

  • Whether you use the serial comma .
  • Whether you use American or British spellings and punctuation (you can use a punctuation checker for this).
  • Where you use numerals vs. words for numbers.
  • How you capitalize your titles and headings.

Unless you’re given specific guidance on these issues, it’s your choice which standards you follow. The important thing is to consistently follow one standard for each issue. For example, don’t use a mixture of American and British spellings in your paper.

Additionally, you will probably be provided with specific guidelines for issues related to format (how your text is presented on the page) and citations (how you acknowledge your sources). Always follow these instructions carefully.

If you want to know more about AI for academic writing, AI tools, or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

  • Ad hominem fallacy
  • Post hoc fallacy
  • Appeal to authority fallacy
  • False cause fallacy
  • Sunk cost fallacy
  • Deep learning
  • Generative AI
  • Machine learning
  • Reinforcement learning
  • Supervised vs. unsupervised learning

 (AI) Tools

  • Grammar Checker
  • Paraphrasing Tool
  • Text Summarizer
  • AI Detector
  • Plagiarism Checker
  • Citation Generator

Revising, proofreading, and editing are different stages of the writing process .

  • Revising is making structural and logical changes to your text—reformulating arguments and reordering information.
  • Editing refers to making more local changes to things like sentence structure and phrasing to make sure your meaning is conveyed clearly and concisely.
  • Proofreading involves looking at the text closely, line by line, to spot any typos and issues with consistency and correct them.

Whether you’re publishing a blog, submitting a research paper , or even just writing an important email, there are a few techniques you can use to make sure it’s error-free:

  • Take a break : Set your work aside for at least a few hours so that you can look at it with fresh eyes.
  • Proofread a printout : Staring at a screen for too long can cause fatigue – sit down with a pen and paper to check the final version.
  • Use digital shortcuts : Take note of any recurring mistakes (for example, misspelling a particular word, switching between US and UK English , or inconsistently capitalizing a term), and use Find and Replace to fix it throughout the document.

If you want to be confident that an important text is error-free, it might be worth choosing a professional proofreading service instead.

If you’ve gone over the word limit set for your assignment, shorten your sentences and cut repetition and redundancy during the editing process. If you use a lot of long quotes , consider shortening them to just the essentials.

If you need to remove a lot of words, you may have to cut certain passages. Remember that everything in the text should be there to support your argument; look for any information that’s not essential to your point and remove it.

To make this process easier and faster, you can use a paraphrasing tool . With this tool, you can rewrite your text to make it simpler and shorter. If that’s not enough, you can copy-paste your paraphrased text into the summarizer . This tool will distill your text to its core message.

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Caulfield, J. (2023, December 08). The Writing Process | 5 Steps with Examples & Tips. Scribbr. Retrieved September 3, 2024, from https://www.scribbr.com/academic-writing/writing-process/

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What is Creative Writing? (Definition + Tips for Getting Started)

by Ivy Shelden

on Sep 4, 2024

What is creative writing? And how do your favorite authors write such emotionally moving, beautifully descriptive prose?

This post will give you the answers you’re looking for.

As an avid reader and creative writer, I’ll help you understand creative writing, what it means, all its different forms, and how to get started penning your own creative work.

Ready to get started?

Let’s dig in.

process of creative writing

What is Creative Writing? (& What it Isn’t )

At its heart, creative writing is all about storytelling and expression. It’s where imagination meets ink, and the human experience takes center stage. 

Through writing fiction, poetry, drama, and even creative non-fiction, writers have the freedom to explore and express thoughts, feelings, and experiences that are uniquely their own. 

In creative writing, the sky’s the limit — you could dive into the psyche of a Martian, sketch a dystopian future, or chronicle the life of a pebble. 

The main objective? 

To engage, to provoke thought, to entertain, and to evoke an emotional response in the reader.

Contrast this with technical writing or academic writing . 

These forms of writing have a different purpose and follow a different set of rules. 

For example, consider technical writing .

It’s used in fields like engineering or computer science to explain complex systems or processes in clear, straightforward language. 

Think user manuals, reports, or scientific articles. They’re about precision, consistency, and clarity rather than evoking emotions or telling stories.

Similarly, academic writing — the kind you’ll find in textbooks or scholarly articles — is typically analytical or persuasive, aiming to build a sound argument based on evidence and reasoning. 

Academic writing sticks to strict structures and formats, with the primary goal of informing or persuading rather than entertaining. 

If academic and technical writing is about precision, evidence, and clear communication, then creative writing is about exploration, expression, and emotional resonance. 

Exploring the Wide World of Creative Writing (Types & Genres)

Woman's hands typing on old typewriter

So what are the different types of creative writing? Well, there are a lot — after all, human creativity is boundless. 

But here are the most common genres …

Fiction is all about imagining and crafting narratives that aren’t necessarily rooted in reality. 

Consider fiction writing in the form of a short story, novella, or novel. 

From the fantastical realms in Tolkien’s “The Lord of the Rings” to the dystopian future of Orwell’s “1984”, fiction lets you construct alternate realities or tweak the real one just a bit to explore the ‘what ifs’.

Poetry is the art of condensing emotions and ideas into the fewest possible words, while still stirring deep feelings in readers. 

Whether it’s a Shakespearean sonnet or a free verse poem like Whitman’s “Leaves of Grass”, poetry uses rhythm, rhyme, and imagery to create a visceral experience. 

Poetry can be a wonderful way to explore complex emotions, ideas, or to just play with language.

Non-fiction

Creative non-fiction is about spinning engaging tales from the fabric of real life. 

Examples of creative non-fiction are Frank McCourt’s “Angela’s Ashes” or thought-provoking essays like Virginia Woolf’s “A Room of One’s Own”. 

Non-fiction allows writers to explore the truth with a creative twist. 

It’s all about turning the lens of your unique perspective on the real world and sharing your insights in an engaging, artistic way.

Drama/Playwriting

Ever been moved by a performance on stage? 

Playwriting is the craft of creating stories meant to be performed. 

Think of the tragic elegance of Shakespeare’s “Hamlet” or the modern powerhouse of Lin-Manuel Miranda’s “Hamilton”. Playwriting combines dialogue, action, and stage direction to bring stories to life in a very physical and immediate way.

Screenwriting

This is the art of writing scripts for film or television. 

As a screenwriter, you’re responsible for creating the blueprint for visual storytelling. 

Picture the mind-bending twists of “Inception” or the heartwarming tale of “Finding Nemo”. 

Screenwriting involves crafting dialogue and visual directions that help bring the director’s vision to life.

Songwriting

From Bob Dylan to Taylor Swift, songwriting is a form of creative writing many of us engage with every day. 

Songs can tell stories, express emotions, or capture a moment in time, all set to a melody that often enhances the meaning and impact of the words.

Flash Fiction

This is a writing style of fictional literature characterized by its extremely short length. 

Flash fiction stories are usually under 1000 words, and they challenge the writer to tell a compelling story with a clear narrative in a very confined space.

Every genre of creative writing offers its unique challenges and rewards, and each one can help you grow and evolve as a writer. 

So go ahead, dip your toes into these different pools and see which one feels right for you. 

14 Creative Writing Tips to Unleash Your Inner Writer

Man standing on bridge writing in his journal

Ready to let your creativity off the leash? Here are some tips to get you started on your creative writing journey.

1. Carve Out Dedicated Writing Time

A daily writing habit can help keep your creative writing skill sharp and your creative juices flowing. 

Even if it’s just a few minutes each day, consistency is key. 

This dedicated time can also act as a mental space where you allow yourself to create and explore ideas without the interruptions of everyday life.

2. Embrace Freewriting

Freewriting is like stretching before a workout — it warms up your creative muscles and helps you limber up. 

It’s about letting your thoughts flow freely, without judgement or restraint, and can lead to unexpected insights and story seeds. 

You may find that this practice also helps to reduce writing anxiety by shifting focus away from perfection and towards the process of creation.

3. Experiment with Different Genres

Trying out various genres of creative writing not only helps you discover your strengths and preferences, but also enhances your versatility as a writer. 

It can also lead to unexpected discoveries. 

Maybe you’ve always thought of yourself as a novelist, but find that you have a knack for poetry. 

Keeping an open mind and being willing to experiment can lead you to exciting new creative territories.

4. Master the Art of Observation

Great writers are great observers. 

Paying close attention to the world around provides a rich source of inspiration for your writing. 

Write down interesting conversations, striking scenery, or even unusual smells. 

These small details can lend authenticity and vibrancy to your stories. 

So, the next time you’re on a crowded subway or strolling through a quiet forest, keep your senses alert and your notebook handy!

5. Practice Descriptive Writing

Creative writing is as much about showing as it is about telling. 

Practicing descriptive writing brings your characters, settings, and scenes to life. 

Try to engage all the reader’s senses — sight, sound, smell, taste, and touch. 

This helps to create an immersive experience for your reader and make your writing more memorable.

6. Experiment with Writing Prompts

Writing prompts are a fantastic way to jumpstart your creativity, especially when you’re feeling stuck. 

They can take the form of a phrase, an image, or even a situation. 

Try writing a short piece based on a prompt and see where it takes you – it could lead you to a story idea you would never have thought of on your own.

7. Study Story Structure

Close up of paper in typewriter that says "stories matter"

Understanding the structure of a story — setup, confrontation, and resolution — is essential for crafting compelling narratives. 

Each part serves a specific function and propels the story forward. 

Read up on different narrative structures and consider how they could apply to your own writing. 

This foundational knowledge will serve you well no matter what genre you’re working in.

8. Create Complex Characters

Characters are the heart of any story. 

To create characters that feel real to your readers, they need to be fully fleshed out with their own desires, flaws, and contradictions. 

Invest time in character development, imagining your characters’ backgrounds, motivations, and fears. 

Remember, the most engaging characters are often the ones that readers can empathize with, even if they’re flawed.

9. Read Widely

The more you read, the more you’ll understand about different writing styles , narrative structures, and character development strategies . 

But don’t just stick to your favorite genres. 

Read widely — across different genres, cultures, and time periods. It will help broaden your perspectives, spark fresh ideas, and enrich your own writing.

10. Start a Writing Journal

Close up of woman's hand writing in notebook with coffee cup

A writing journal is the perfect place to store ideas, sketches, character descriptions, or just musings about the world. 

Over time, these entries can become a gold mine of inspiration for future writing projects. 

It’s also a great tool for tracking your writing progress and reflecting on your journey as a writer.

11. Seek Feedback and Support

Writing doesn’t always have to be a solitary pursuit. 

By engaging with writing communities, you can benefit from others’ experiences, receive constructive criticism, and also learn by critiquing others’ work. 

This shared camaraderie can be a significant source of motivation and growth.

12. Set Achievable Goals

If you want to get your writing published someday, you need to set tangible, achievable goals .

These could range from small, daily targets like writing a certain number of words, to larger aspirations such as completing a manuscript or getting published. 

Celebrating these milestones, no matter how small, will boost your confidence and drive to keep going.

13. Edit and Revise

Your first draft is just the beginning. 

Revisiting your work, reworking sections, and fine-tuning language are all part of the writing process. 

This is your chance to sharpen your narrative, enhance your characters, and ensure that your story is as compelling as possible. 

Remember, every great writer is also a great editor.

14. Embrace Failure and Persevere

Every writer, from Stephen King to J.K. Rowling has faced rejection and failure. 

Writing can be a journey of highs and lows, but every stumble is an opportunity to learn and grow. 

The most successful writers are those who persevere, who pick themselves up after rejections and setbacks, and who stay committed to refining their craft. 

Every word, every sentence, and every story you write is a step forward on your creative journey.

Follow the Ultimate Creative Writing Commandment

Woman sitting on her living room floor writing in a notebook

There’s one tip that is absolutely crucial to your creative writing journey…

The tip: Start writing . 

Like, today. 

Know that your writing doesn’t have to be perfect — but it does need to exist. 

Remember, there’s no right or wrong way to be creative. Your voice is uniquely yours, and the world needs to hear it.

So go ahead, let your imagination run wild, and let your creative work entertain and inspire. 

Happy writing!

This post was originally published on June 7th, 2023 by Ivy Shelden. It has been updated for clarity and comprehensiveness. 

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Ivy Shelden

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Ivy Shelden is Associate Editor at Smart Blogger. She spent 30+ hours researching creative writing to bring you the most comprehensive information about the topic.

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Last updated on Feb 14, 2023

10 Types of Creative Writing (with Examples You’ll Love)

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Savannah Cordova

Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery". 

About Rebecca van Laer

Rebecca van Laer is a writer, editor, and the author of two books, including the novella How to Adjust to the Dark. Her work has been featured in literary magazines such as AGNI, Breadcrumbs, and TriQuarterly.

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

The ruins of pillars and walls with the broken statue of a man in the center set against a bright blue sky.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

A red neon

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Creative Writing Examples | Photo of the Old Vic production of All My Sons by Arthur Miller

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

Stacks of multicolored hardcover books.

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

Creative Writing Examples | Photograph of New York City street.

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

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Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Creative Writing Examples | Book cover of Convenience Store Woman

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

A Calvin and Hobbes comic strip. A little blond boy Calvin makes multiple silly faces in school photos. In the last panel, his father says, "That's our son. *Sigh*" His mother then says, "The pictures will remind of more than we want to remember."

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

A video game screenshot of 80 days. In the center is a city with mechanical legs. It's titled "The Moving City." In the lower right hand corner is a profile of man with a speech balloon that says, "A starched collar, very good indeed."

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

An open plan office seen from a bird's eye view. There are multiple strands of Edison lights hanging from the ceiling. At long light wooden tables multiple people sit working at computers, many of them wearing headphones.

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

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Creative Writing 101

Creative Writing 101

You love to write and have been told you have a way with words. So you’ve decided to give writing a try—creative writing.

Problem is, you’re finding it tougher than it looks.

You may even have a great story idea , but you’re not sure how to turn it into something people will read.

Don’t be discouraged—writing a compelling story can be grueling, even for veterans. Conflicting advice online may confuse you and make you want to quit before you start.

But you know more than you think. Stories saturate our lives.

We tell and hear stories every day in music, on television, in video games, in books, in movies, even in relationships.

Most stories, regardless the genre, feature a main character who wants something.

There’s a need, a goal, some sort of effort to get that something.

The character begins an adventure, a journey, or a quest, faces obstacles, and is ultimately transformed.

The work of developing such a story will come. But first, let’s look at the basics.

  • What is Creative Writing?

It’s prose (fiction or nonfiction) that tells a story.

Journalistic, academic, technical writing relays facts.

Creative writing can also educate, but it’s best when it also entertains and emotionally moves the reader.

It triggers the imagination and appeals to the heart.

  • Elements of Creative Writing

Elements of Creative Writing

Writing a story is much like building a house.

You may have all the right tools and design ideas, but if your foundation isn’t solid, even the most beautiful structure won’t stand.

Most storytelling experts agree, these 7 key elements must exist in a story.

Plot (more on that below) is what happens in a story. Theme is why it happens.

Before you begin writing, determine why you want to tell your story.

  • What message do you wish to convey? 
  • What will it teach the reader? 

Resist the urge to explicitly state your theme. Just tell the story, and let it make its own point.

Give your readers credit. Subtly weave your theme into the story and trust them to get it.

They may remember a great plot, but you want them thinking about your theme long after they’ve finished reading.

2. Characters

Every story needs believable characters who feel knowable.

In fiction, your main character is the protagonist, also known as the lead or hero/heroine.

The protagonist must have:

  • redeemable flaws
  • potentially heroic qualities that emerge in the climax
  • a character arc (he must be different, better, stronger by the end)

Resist the temptation to create a perfect lead. Perfect is boring. (Even Indiana Jones suffered a snake phobia.)

You also need an antagonist, the villain , who should be every bit as formidable and compelling as your hero.

Don’t make your bad guy bad just because he’s the bad guy. Make him a worthy foe by giving him motives for his actions.

Villains don’t see themselves as bad. They think they’re right! A fully rounded bad guy is much more realistic and memorable.

Depending on the length of your story , you may also need important orbital cast members.

For each character, ask:

  • What do they want?
  • What or who is keeping them from getting it?
  • What will they do about it?

The more challenges your characters face, the more relatable they are.

Much as in real life, the toughest challenges result in the most transformation.

Setting may include a location, time, or era, but it should also include how things look, smell, taste, feel, and sound.

Thoroughly research details about your setting so it informs your writing, but use those details as seasoning, not the main course. The main course is the story.

But, beware.

Agents and acquisitions editors tell me one of the biggest mistakes beginning writers make is feeling they must begin by describing the setting.

That’s important, don’t get me wrong. But a sure way to put readers to sleep is to promise a thrilling story on the cover—only to start with some variation of:

The house sat in a deep wood surrounded by…

Rather than describing your setting, subtly layer it into the story.

Show readers your setting. Don’t tell them. Description as a separate element slows your story to crawl.

By layering in what things look and feel and sound like you subtly register the setting in the theater of readers’ minds.

While they concentrating on the action, the dialogue , the tension , the drama, and conflict that keep them turning the pages, they’re also getting a look and feel for your setting.

4. Point of View

POV is more than which voice you choose to tell your story: First Person ( I, me ), Second Person ( you, your ), or Third Person ( he, she, or it ).

Determine your perspective (POV) character for each scene—the one who serves as your camera and recorder—by deciding who has the most at stake. Who’s story is this?

The cardinal rule is that you’re limited to one perspective character per scene, but I prefer only one per chapter, and ideally one per novel.

Readers experience everything in your story from this character’s perspective.

For a more in-depth explanation of Voice and POV, read A Writer’s Guide to Point of View .

This is the sequence of events that make up a story —in short, what happens. It either compels your reader to keep turning pages or set the book aside.

A successful story answers:

  • What happens? (Plot)
  • What does it mean? (Theme: see above)

Writing coaches call various story structures by different names, but they’re all largely similar. All such structures include some variation of:

  • An Inciting Incident that changes everything
  • A series of Crises that build tension
  • A Resolution (or Conclusion)

How effectively you create drama, intrigue, conflict, and tension, determines whether you can grab readers from the start and keep them to the end.

6. Conflict

This is the engine of fiction and crucial to effective nonfiction as well.

Readers crave conflict and what results from it.

If everything in your plot is going well and everyone is agreeing, you’ll quickly bore your reader—the cardinal sin of writing.

If two characters are chatting amiably and the scene feels flat (which it will), inject conflict. Have one say something that makes the other storm out, revealing a deep-seated rift.

Readers will stay with you to find out what it’s all about.

7. Resolution

Whether you’re an Outliner or a Pantser like me (one who writes by the seat of your pants), you must have an idea where your story is going.

How you expect the story to end should inform every scene and chapter. It may change, evolve, and grow as you and your characters do, but never leave it to chance.

Keep your lead character center stage to the very end. Everything he learns through all the complications you plunged him into should, in the end, allow him to rise to the occasion and succeed.

If you get near the end and something’s missing, don’t rush it. Give your ending a few days, even a few weeks if necessary.

Read through everything you’ve written. Take a long walk. Think about it. Sleep on it. Jot notes. Let your subconscious work. Play what-if games. Reach for the heart, and deliver a satisfying ending that resonates .

Give your readers a payoff for their investment by making it unforgettable.

  • Creative Writing Examples
  • Short Story
  • Narrative nonfiction
  • Autobiography
  • Song lyrics
  • Screenwriting
  • Playwriting
  • Creative Writing Tips

In How to Write a Novel , I cover each step of the writing process:

  • Come up with a great story idea .
  • Determine whether you’re an Outliner or a Pantser.
  • Create an unforgettable main character.
  • Expand your idea into a plot.
  • Do your research.
  • Choose your Voice and Point of View.
  • Start in medias res (in the midst of things).
  • Intensify your main character’s problems.
  • Make the predicament appear hopeless.
  • Bring it all to a climax.
  • Leave readers wholly satisfied.
  • More to Think About

1. Carry a writing pad, electronic or otherwise. I like the famous Moleskine™ notebook . 

Ideas can come at any moment. Record ideas for:

  • Anything that might expand your story

2. Start small. 

Take time to build your craft and hone your skills on smaller projects before you try to write a book .

Journal. Write a newsletter. Start a blog. Write short stories . Submit articles to magazines, newspapers, or e-zines.

Take a night school or online course in journalism or creative writing. Attend a writers conference.

3. Throw perfection to the wind. 

Separate your writing from your editing .

Anytime you’re writing a first draft, take off your perfectionist cap. You can return to editor mode to your heart’s content while revising, but for now, just write the story.

Separate these tasks and watch your daily production soar.

  • Time to Get to Work

Few pleasures in life compare to getting lost in a great story.

Learn how to write creatively, and the characters you birth have the potential to live in hearts for years.

  • 1. Carry a writing pad, electronic or otherwise. I like the famous Moleskine™ notebook. 

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Faith-Based Words and Phrases

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What is Creative Writing? | An Introduction for Students

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Our tailored summer courses for ages 9-24 include all teaching and academic content, accommodation, meals (including Friday night formal dinners), a prize-giving ceremony, all-day trips and activities, airport transfers, access to Oxford Summer Courses Foundations, travel and medical insurance, and a welcome pack. Apply now to secure your spot in one of our comprehensive summer courses.

What is creative writing?

As the name suggests, creative writing is a form of writing that goes beyond the traditional realms of normal, professional, academic or technical forms of writing.

Instead, it encompasses a number of different genres and styles across a whole range of fields of both fictional and non-fiction writing; storytelling, playwriting, poetry, prose, journalistic, and more.

Though the definition can be quite vague, creative writing can, for the most part, be considered as any type of writing that is original and expressive of oneself. Typically, it can be identified by an emphasis on narrative craft, focusing on elements such as character development, narrative and plot, infusing its structure with imagination, invention and story.

In this sense, creative writing can technically be considered any writing of contemporary, original composition - it's bound by no standard conventions and uses a whole range of elements in its craft.

In an academic setting, creative writing is typically divided into fiction, poetry, or scriptwriting classes, with a focus on writing in an original style, not defined by pre-existing structures and genres.

What are the different types of creative writing?

Creative writing comes in many forms, encompassing a number of genres and styles. There are lots of different types of creative writing, which can be categorised as fiction or non-fiction. Some of the most popular being:

  • Biographies
  • Fiction: novels, novellas, short stories, etc.
  • Poetry and spoken word
  • Playwriting/scriptwriting
  • Personal essays

What makes a good piece of creative writing?

First and foremost, it’s important to note that there is no pre-defined description of what it means to create a ‘good’ piece of creative writing. As the very name suggests, creative writing is an imaginative process, created by the individual with all their quirks and personalities.

Creative writing doesn’t fit one set genre and therefore there will never be an umbrella definition to describe the ‘perfect’ piece. Just think about a Gothic short story and then compare it to the features of a great Romantic poem - the two are so very different - it wouldn’t be unfair to judge them together.

However, with that being said, there are a few general principles that you can follow to make your creative writing as strong as it can be - by making it as authentic and true to you as possible:

  • Know your audience - All great stories begin with a target audience in mind - because it’s exactly what you need to know in order to really tailor your writing and connect with them. Therefore, any creative writer should begin their writing by plotting out exactly who they want to read their work. Once you have this in mind, your writing will naturally begin to take direction and flow in a way that seems appropriate to your audience.
  • Write what you know - Quite often, the best stories are those which we can connect to and relate in one or another way to our own lives. Or, they’re stories which seem to authentic that you could imagine it to be about the writer’s own life. Now, this doesn’t mean that you quite literally have to write about your life, but drawing on knowledge you have about different elements of our lives to give your story some authenticity and more believability.
  • Creativity is key - Creativity is one of the most important elements of creative writing. It’s what sets you apart from other pieces of writing in your genre. Of course, this doesn't demand that you write a tale about a totally fantastical and mythical world with unique creatures - but simply use your creativity to think a little outside the box and put a unique twist on things; using literary devices like metaphors, alliteration, and varied sentence structure to make your work unique and interesting.
  • Push your imagination - One of the great things about creative writing is that there is no definition or rules on ‘how’ to write. It’s a much more subjective genre and one which relies heavily on your own interpretations. Therefore, you should push your imagination to the limits to see what the end result could be. Some of the most interesting pieces of literature are thought-provoking or make us question the writing or world around us - where could your story take us?
  • Plot a loose story arc - Despite the loose bounds of creative writing, it is still advisable to plot a loose story arc for any piece of literature you create. Story arcs are critical at giving your writing direction and purpose, helping you to write the whole piece at a good pace, without writing any superfluous content or ‘waffle.’ Follow your story arc, and your writing will have a strong structure, pace and direction - keeping your readers more engaged.

What are some techniques used in creative writing?

To make their writing stand out, writers often employ several creative writing techniques and literary devices, including:

  • Character development - The process of creating a well-rounded, realistic character with depth, personality, and clear goals or motivations.
  • Plot development - The story of your piece of writing - how it develops, unfolds, and moves along in time.
  • Point of view - The perspective from which a narrative is told. It indicates who is telling the story and how the information is conveyed to the reader. Quite often writers will play with the point of view of the central character or protagonist to trick the reader and twist their perspective.
  • Dialogue - Refers to the speech and conversations characters use to speak to one another. Dialogue and the language choices a character makes can be pivotal in helping define their personality.
  • Literary devices - Such as metaphors, similes and alliteration to make creative writing more imaginative and descriptive. These are used in a myriad of ways by writers to make their writing more vivid, interesting and engaging.

Can creative writing be taught?

Of course! Creative writing can be taught, and is a very popular subject for university students, and for those who attend our summer courses.

Those who pursue the subject of Creative Writing will typically study a variety of texts from different periods of time to learn more about the different genres of writing within the field. They’ll become familiar with some of the leading creative writers from generations past to present, as well as some lesser-known and emerging writers in the industry.

Inspired by what they’ve learnt in the classroom, it’s not uncommon for Creative Writing students to also participate in regular workshops and scratch sessions, where they bring a piece of their writing along to class and have it read by other students and the tutor. They’ll leave with constructive feedback on how to improve their writing, or recommendations of other works which they may want to read to take influence from.

How to start creative writing

If you’re interested in getting those creative juices flowing and improving your writing craft, read some of our tips below on how to start creative writing:

  • Read as much as you can - For creative writers, inspiration comes from a whole range of sources, but most commonly, from other writers. There’s some excellent examples of creative writing throughout history that all writers should be inspired by. Read a variety of genres by different authors to get a real feel for what type of writing you may want to do. Need some inspiration? Check out our blog: 15 Classic Books to Read
  • Start journaling - Starting a journal can really help to unleash your inner creativity. Getting into the habit of writing each day about literally anything that’s preoccupied you that day will help you practice the art of writing. The more regularly you journal, the more you’ll build your confidence. You never know, you could even find your next great idea from something you’ve journaled about!
  • Attend a Creative Writing summer course - If you’re just starting out as a creative writer and looking to collaborate, share ideas with others and workshop your writing, then joining a creative writing summer school could be a great option. Our creative writing summer courses are designed to help you extend your creative writing toolkit; you’ll analyse some of the industry’s greatest writers, as well as workshop some of your own writing with your peers.
  • Practice using literary devices - Literary devices, such as metaphors, similes and rhyme can really help you write more vividly and create really descriptive, imaginative scenes. Practice using them regularly and you’ll soon watch your own creative writing start to flourish. Need some ideas to help you get practising? Look around your house and pick a random object. Then, practice using 5 literary devices to describe that same object - see where your creativity can take you!
  • Write, write, write! - When it comes to how to start creative writing, one of the biggest pieces of advice we can offer is to pick up your pen or laptop, and start writing. Whether you have a single conversation starter for a character, or a complete narrative arc, you will only begin your creative writing journey when you physically do it. Even if you have no idea on what to write - look for writing prompt inspiration from all around you. The more you practice unleashing your creativity, the easier it will be to write over longer periods of time.

Frequently Asked Questions (FAQs)

What age groups are the oxford summer courses designed for.

Our courses cater to students aged 9-24, with tailored programs to suit different age groups and academic levels.

What is included in the Oxford Summer Courses?

Our comprehensive summer courses include all teaching and academic content, accommodation, meals (including formal dinners), a prize-giving ceremony, all-day trips and activities, airport transfers, travel and medical insurance, and a welcome pack.

Can international students apply for the courses?

Yes, we welcome students from all over the world to join our summer courses in Oxford and Cambridge.

What are the benefits of taking a Creative Writing summer course?

Our Creative Writing summer courses offer students the opportunity to learn from experienced tutors, develop their writing skills, and gain inspiration from the historic surroundings of Oxford and Cambridge.

How can I apply for the Oxford Summer Courses?

You can apply for our courses online through our application portal . Once your application is submitted, we will be in touch with the next steps.

Creative writing is a remarkable voyage that invites us to unleash our imagination, share our stories, and inspire others. It offers countless personal and professional benefits, nurturing self-expression, empathy, and creativity. So, grab a pen, open your mind, and embark on this enchanting journey of creative writing with Oxford Summer Courses. Let your words paint a vivid tapestry that captivates hearts and minds under the guidance of experienced tutors from Oxford and Cambridge. Join us as we explore the magic of creative writing and discover the transformative power it holds within through the renowned Oxford Summer Courses summer school.

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process of creative writing

5 Steps To Creativity In Writing

Creativity is essential for writers. We define creativity, look at the importance of creativity in writing , and give you 5 steps to become more creative .

‘In a time of destruction, create something.’ ~ Maxine Hong Kingston

What Is Creativity?

Creativity is an act where we create something new – something that did not exist until we put it together.

According to Psychology Today : ‘Creative thinking involves making new connections between different regions of the brain, which is accomplished by cultivating divergent thinking skills and deliberately exposing oneself to new experiences and to learning.’

Creativity is a process.

Being creative means that we take two or more things and we put them together. We create something that was not there before. If it’s any good, our creation will have made something more valuable and better than what came before.

Creativity In Writing

When we write we are performing a creative act. We are quite literally creating a novel idea. Our words make up people and places that did not exist until we gave them life.

We take an idea, dream up a set of characters, build a world for them, and create.

There are no new plots and most genres are set, but we take this framework of fiction and we make something of our own.

James Clear says: ‘The creative process is the act of making new connections between old ideas or recognising relationships between concepts. Creative thinking is not about generating something new from a blank slate, but rather about taking what is already present and combining those bits and pieces in a way that has not been done previously.’

Creative writers and great business writers do this every day.

Creativity Is A Solution To A Problem

The writer’s favourite question: ‘ What if? ‘ is the ultimate creative question. When writers get stuck or when they are plotting a novel, one of the best ways to employ creativity in writing is by asking this question.

What if my protagonist loses their job? What if my villain is arrested on an unrelated charge? What if the setting becomes uninhabitable? What if my character loses one of their senses? What if a stranger comes to town?

Questions like these create a new reality that has to be navigated.

How To Be Creative When You Write

James Webb Young, author of A Technique for Producing Ideas , suggested that there were five steps to being creative : They are “1) gathering material, 2) intensely working over the material in your mind, 3) stepping away from the problem, 4) allowing the idea to come back to you naturally, and 5) testing your idea in the real world and adjusting it based on feedback.” ( source )

Writers can adapt this method for their own work to develop their creativity skills. I have adapted it to create a ‘5 Steps To Creativity In Writing’ process.

Step 1: Gather Material

(Tip: You don’t need to do everything listed below, but the more you do the easier it will be.)

  • Find an idea for a plot .
  • Decide on your four main characters .
  • Complete detailed character questionnaires .
  • Write a synopsis for your story.
  • Create an outline .
  • Use a timeline .
  • Make lists of your characters’ traits and flaws .
  • Research the setting .

Step 2: Work It Over

Think about everything you’ve learned along the way. Ask as many ‘What ifs’ as you can. Think about what happens when you put characters together.

Examine the various ways the plot could develop. Imagine using the antagonist as a protagonist . Perhaps you could start the story at a different point. Perhaps you could tell it from another character’s viewpoint. Maybe it would be better in present tense instead of past tense.

Try some visual techniques (including creating patterns, doodling , drawing, and pinning) when you do this. Read: 5 Visual Techniques To Bring Your Story To Life . Do some synaesthesia exercises.

Step 3: Step Away

Step away from what you have been working on. Stop thinking about what you’ve been writing. Try to do something that has nothing to do with it at all. (This is the most important step in the process, but it only works if you have done the work in the first two steps.)

Step 4: Wait For It

Your ideas will come back to you on their own, often in a better shape than the original ones you had. You may want to write the story from a different viewpoint – maybe first person instead of third person, or write in another genre, or set it in another universe.

Step 5: Write The Story

Test the idea by writing the story. You will be bursting with energy and creativity because you have so much material in reserve. The response you get to the finished product will be the ultimate test.

Top Tip : This is not just for creative writing. Use this five step process to help you in your business writing, blogging, or for creativity in your business. The importance of creativity in writing cannot be overstated.

Top Tip : Find out more about our  online courses  and  workbooks  in our  shop .

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© Amanda Patterson

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How to Write a Story: A Guide for Creative Writers

  • by Andrea Feccomandi
  • August 27, 2024

There’s nothing quite like the joy of bringing a story to life, watching your characters grow and your world take shape. Storytelling isn’t just about writing; it’s about connecting with others through your words .

But to do that, you need to know the basic elements—like characters, plot, and setting. Think of these as the building blocks of your story. Without them, your story can’t stand strong.

This guide on how to write a story will take you through each step, making the process manageable and even enjoyable, whether you’re just starting out or looking to improve.

Story Meaning in Creative Writing

Let’s start with the definition of a story in creative writing.

STORY DEFINITION IN CREATIVE WRITING What is a Story? A story is a structured narrative that goes beyond a mere sequence of events. In creative writing, a story is an intentionally crafted experience designed to guide the reader through a progression of events and situations. It involves the creation of a fictional world, the introduction of characters, and the development of scenarios that lead to meaningful change or development in those characters.

How to Write a Story: Key Components of a Story

To understand how to write a story, you first need to grasp its key components: characters, setting, plot, conflict, and theme.

Characters are the heart of your story. They are the people, creatures, or beings that the reader follows. Think of them as the players in a game. Without characters, there’s no one to move through the story, no one to experience the events you’ve created.

Each character should have a purpose , desires , and challenges . For example, in a mystery story , your main character might be a detective determined to solve a crime. Their actions and choices drive the plot forward .

The setting is the world where your story takes place. It’s the backdrop against which your characters act. This could be a bustling city, a quiet village, or even a distant planet.

The setting influences the mood of your story and can even affect the actions of your characters . For instance, a story set in a haunted house might feel eerie and suspenseful, while a story set on a sunny beach might feel light and carefree.

The plot is the sequence of events that make up your story. It’s what happens to your characters as they move through the setting. A strong plot has a clear beginning, middle, and end. It might start with a problem or goal, build up as the characters face challenges, and end with a resolution.

Imagine a plot as a roadmap. It shows the direction your story will take , guiding the characters from the start to the finish line.

Conflict is what gives your story tension and drama . It’s the struggle between opposing forces that keeps the reader engaged. Conflict can be external, like a character fighting against another character or a natural disaster, or internal, like a character struggling with their own fears or doubts.

In a romance story , the conflict might be the obstacles that keep two characters apart. In a thriller, it could be the protagonist’s battle against a dangerous enemy.

Finally, the theme is the underlying message or lesson of your story . It’s what you want the reader to take away after they’ve finished reading.

The theme is often subtle, woven into the characters’ actions and the plot. For example, in a story about friendship, the theme might be the importance of loyalty and trust.

To survive, you must tell stories. Umberto Eco , The Island of the Day Before

Types of Stories

Stories come in many shapes and sizes. Understanding the type of story you want to write can help shape your approach. Different genres and formats offer different challenges and opportunities.

Genres like romance, science fiction, fantasy , and horror each have their own conventions and expectations . For example, a romance story usually focuses on relationships and emotions, while a science fiction story might explore futuristic technology or alien worlds. Knowing your genre helps you meet readers’ expectations while allowing you to play with the boundaries of that genre.

The format of your story also matters. A short story is brief, often focusing on a single event or moment in a character’s life. It requires concise writing and a tight plot. A novel , on the other hand, gives you more space to develop characters, explore subplots, and build a complex world. A novella falls somewhere in between, offering more depth than a short story but requiring more focus than a novel.

Choosing the right genre and format is like choosing the right tool for a job. It helps you focus your ideas and guides your storytelling . Whether you’re writing a quick, impactful short story or a sprawling epic novel, understanding these basics will set you on the right path.

How to Write a Story: Developing an Idea

The first step in learning how to write a story is developing a solid idea . This process involves finding inspiration and then refining that inspiration into something you can work with.

Finding Inspiration

Inspiration for a story can come from anywhere. It might spark from a conversation you overhear, a place you visit, or even a memory.

To find inspiration, start by observing the world around you . Pay attention to the small details—the way the light hits a building, the expressions people wear on their faces, or the rhythm of a crowded street. These observations can serve as the seeds for your story.

Reading widely also fuels inspiration. Explore different genres, styles, and authors. Notice how they craft their stories, how they build characters, and how they create tension. As you read, ask yourself what you would do differently. This can help you generate new ideas and find your unique voice.

Brainstorming is another effective way to develop story ideas. Sit down with a notebook and write down anything that comes to mind, no matter how vague or disconnected. You might start with a single word, a character, or a situation. Don’t worry about making sense at this stage. The goal is to let your imagination run free and gather raw material.

How to write a story: bibisco's mind map tool helps you find inspiration and refine your story idea.

Refining Your Idea

Once you have a list of potential ideas, it’s time to refine them. Broad ideas often need narrowing down to become workable. Start by asking yourself some key questions : What is the main conflict in this idea? Who are the characters involved? Where and when does the story take place? These questions help you focus your idea and give it structure.

Originality is crucial in refining your idea. While it’s fine to take inspiration from existing stories, your version should bring something new to the table. Avoid clichés and overused tropes. Instead, think about how you can twist the familiar into something fresh . For example, if your idea involves a classic hero’s journey , consider how you might change the setting or alter the character’s motivation to make the story uniquely yours.

Adding personal touches also strengthens your story idea. Draw from your experiences, emotions, and perspectives. These elements give your story authenticity and depth. For instance, if you’re writing a story about overcoming fear, reflect on a time when you faced something scary. This personal connection will resonate with readers.

For example, let’s say you start with a basic concept: a person who wants to escape their small town . To refine this into a workable story, you might decide that the protagonist is a young woman who dreams of becoming an artist. The conflict arises because her family expects her to take over the family business. The setting could be a rural town that feels isolated and stifling. This simple idea now has direction, characters, and a central conflict, making it a strong foundation for your story.

How to Write a Story: Creating Compelling Characters

In learning how to write a story, creating compelling characters is one of the most crucial steps. Characters are the driving force behind your story . Readers connect with them , root for them, and follow them on their journey. To make your characters stand out, they need to be relatable, complex, and dynamic.

Character Development

Character development begins with understanding who your character is at their core . Think of your character as a real person. They should have goals, motivations, and flaws. Goals drive your character forward , giving them something to strive for. For example, a character might want to win a race, solve a mystery, or find love. These goals give your story direction.

Motivations explain why your character wants to achieve their goals . They add depth and make your character’s actions believable. If your character wants to win a race, their motivation might be to prove their worth, escape a difficult past, or fulfill a promise. Understanding these motivations helps you write actions and decisions that feel true to the character .

Flaws make your character human . No one is perfect, and your characters shouldn’t be either. Flaws could be anything from stubbornness to insecurity to a quick temper. These flaws create tension and conflict in your story, making it more engaging. For instance, a character who is too stubborn might refuse help when they need it, leading to further challenges.

With bibisco's character development tools, you can craft believable characters who resonate with your readers.

Character Arcs

A character arc describes how a character changes throughout your story . A well-written arc adds depth and makes your story more satisfying. There are different types of character arcs, and the one you choose depends on your story.

A positive arc shows a character growing or improving . They start with a flaw or a false belief, but through the events of the story, they learn, change, and become better. For example, a character who begins as selfish might learn the value of helping others.

A negative arc shows a character’s downfall . Instead of growing, the character makes poor choices or refuses to change, leading to their decline. This arc can be powerful in tragedies or dark stories.

A flat arc involves a character who doesn’t change much but influences the world around them . This type of character often has strong beliefs or principles and helps others grow. Think of a mentor figure who stays consistent while guiding the protagonist.

Dialogue and Voice

Dialogue is a key tool for revealing character . It’s not just about what your characters say, but how they say it . To write authentic dialogue , consider each character’s background, personality, and current emotional state. A well-educated character might speak formally, while a teenager might use slang or short sentences.

Differentiating your characters through their speech patterns is crucial. It helps readers instantly recognize who is speaking, even without dialogue tags. For example, one character might be sarcastic, always making jokes, while another might be straightforward and serious. These differences make your characters more distinct and memorable.

Voice is another important aspect of a character. It refers to the unique way a character views and describes the world. A character’s voice should match their personality and background. For instance, a cynical character might describe things with a negative twist, while an optimistic character sees the bright side. This consistency in voice strengthens your character and makes them feel real.

How to Write a Story: Crafting the Plot

Learning how to write a story involves mastering the art of plot crafting. The plot is the backbone of your story. It guides your characters from beginning to end and keeps your readers engaged. To create a strong plot, you need to understand plot structure, pacing, tension, and the use of subplots.

Plot Structure

Plot structure is the framework that shapes your story . It provides a roadmap for your characters’ journey. Two common plot structures are the three-act structure and the Hero’s Journey.

In the three-act structure , the story is divided into three parts: setup, conflict, and resolution. The setup introduces the characters, the world, and the main problem. The conflict is the core of the story where challenges build, leading to the climax. The climax is the peak of the story, where everything comes to a head. After the climax, the resolution ties up loose ends and concludes the story.

The Hero’s Journey is another popular structure. It follows a character (the Hero ) who starts in their ordinary world but is soon called to an adventure. Along the way, they face trials, make allies, and confront their greatest challenge. After overcoming this challenge, the hero returns home, transformed by their experiences .

How to write a story: the Hero's Journey.

Both structures provide clear steps to follow, making it easier to organize your story. Whether you use the three-act structure or the Hero’s Journey, the goal is to create a plot that feels complete and satisfying.

Pacing and Tension

Pacing is how you control the speed of your story . It’s important to maintain a balance between fast-paced action and slower, more reflective moments. If your story moves too quickly, readers might miss important details. If it moves too slowly, they might lose interest.

To maintain good pacing, vary the length of your scenes . Short, quick scenes can build excitement and move the story forward. Longer scenes can slow things down and give readers a chance to catch their breath. Also, consider where you place important events. Spacing out major plot points keeps readers engaged and eager to see what happens next.

Tension is what keeps readers on the edge of their seats . It’s the sense that something important is at stake and that the outcome is uncertain. To build tension, gradually increase the obstacles your characters face. Start with smaller challenges, then escalate to bigger, more threatening situations. For example, in a mystery story, the tension might rise as the detective uncovers clues, leading to a final confrontation with the villain.

Subplots are secondary stories that run alongside your main plot. They add depth and complexity to your narrative, making it richer and more engaging. Subplots can explore side characters, develop themes, or provide a different perspective on the main story.

When creating subplots, ensure they complement the main plot . They should not distract from the primary narrative but instead enhance it. For example, if your main plot is about a hero saving the world, a subplot might explore the hero’s relationship with a close friend, adding emotional depth.

Weaving subplots into your story requires balance . Introduce them naturally, and make sure they connect to the main plot at key points. This connection helps to maintain the story’s focus and ensures that all elements of the plot work together.

How to Write a Story: Setting the Scene

When learning how to write a story, setting plays a crucial role. A well-crafted setting does more than provide a backdrop; it immerses the reader in your world and shapes the entire narrative. Let’s explore how to build a compelling setting and use it to enhance your story.

World-Building

World-building is the process of creating a believable and immersive setting for your story. Whether your story takes place in a real location or a fictional one, the setting must feel real to the reader .

Start by developing the physical landscape . Think about the environment—are there mountains, forests, cities, or oceans? What’s the climate like? How does the weather affect the characters’ daily lives?

Next, consider the cultural landscape . What are the customs, traditions, and values of the people who live in this world? How do these influence the characters and their actions? For example, in a society where honor is highly valued, a character might go to great lengths to protect their reputation.

Finally, think about the emotional landscape . How does the setting make the characters feel? A bustling city might create a sense of excitement or stress, while a quiet village could evoke feelings of peace or isolation. These emotional cues help the reader connect with the setting on a deeper level.

Create a rich and detailed setting for your story with bibisco's world-building tools.

Using Setting to Enhance the Story

The setting is not just a backdrop; it influences the mood, theme, and character actions . Use the setting to create a specific atmosphere. For example, a story set in a dark, rainy city might feel tense and mysterious, while a story set in a bright, sunny field might feel warm and hopeful.

Setting can also reinforce the theme of your story. In The Great Gatsby , for example, F. Scott Fitzgerald uses the opulent settings of West Egg and East Egg to highlight the theme of wealth and its corrupting influence.

By carefully crafting your setting and using it to enhance the story, you can create a world that feels alive and integral to the narrative . As you continue to learn how to write a story, remember that a strong setting can be as important as the characters and plot.

How to Write a Story: Writing the First Draft

When learning how to write a story, the first draft is a crucial step. It’s where your ideas take shape on the page. This stage can feel daunting, but with the right approach, you can overcome the fear of the blank page and start writing with confidence.

Getting Started

Starting your first draft can be intimidating. The blank page often feels like a huge obstacle. To overcome this fear, remind yourself that the first draft doesn’t need to be perfect . It’s about getting your ideas down, not about crafting flawless prose. Think of it as building the foundation of a house—you’re just putting up the framework. The details can come later.

To start strong, consider beginning with a scene or moment that excites you . Don’t worry about writing in order. If there’s a particular scene that’s clear in your mind, write that first. This helps you build momentum. Once you’re in the flow, it becomes easier to tackle other parts of the story.

Writing Techniques

Several writing techniques can help you move through your first draft. Freewriting is a useful method. Set a timer for 10-15 minutes and write without stopping. Don’t edit or second-guess yourself; just let the words flow. This technique helps you bypass your inner critic and get your ideas on paper.

Word sprints are another effective strategy. Set a timer for a short period, like 20 minutes, and challenge yourself to write as much as possible. The pressure of the timer can push you to write faster and worry less about making it perfect.

Setting daily goals can also keep you on track. Decide on a specific word count to hit each day, whether it’s 300 words or 1,000. Consistent progress, even in small amounts, adds up over time.

Remember, the goal of the first draft is to get the story down. Don’t get caught up in editing or fixing every sentence. There will be time to refine your work later. For now, focus on moving the story forward.

How to write a story: bibisco helps you set and track your writing goals and stay motivated

Dealing with Writer’s Block

Writer’s block is a common challenge during the first draft. When you feel stuck, it’s important to take a step back. Breaks are crucial . Step away from your writing, take a walk, or do something else you enjoy. This gives your mind a chance to reset.

Changing your scenery can also help. If you’ve been writing at your desk, try moving to a different room, a coffee shop, or even outside. A new environment can spark fresh ideas and break through mental barriers.

Revisiting your inspiration can reignite your creativity. Look back at what inspired you to write this story in the first place. Read a favorite book, watch a movie that relates to your theme, or browse through your notes. These activities can remind you of your passion for the story and help you push past the block.

How to Write a Story: Revising and Editing

Once you’ve completed your first draft, the real work begins. Learning how to write a story doesn’t stop at getting your ideas down; it involves shaping and refining those ideas into a polished narrative. Revising and editing are essential steps in this process.

Importance of Revisions

The first draft is just the start. Think of it as the rough clay that you’ll now mold into its final form. Revisions allow you to step back and see the bigger picture . This is your chance to rework the plot, deepen character development, and improve pacing. For example, you might find that a subplot needs more attention or that a character’s motivations aren’t clear. Revising helps you address these issues and strengthen your story.

During revision, focus on the structure of your story . Does the plot flow logically? Are the character arcs satisfying? Is the pacing consistent? These questions guide your revisions and help you see where changes are needed. For instance, if the middle of your story drags, you might need to cut unnecessary scenes or add more conflict.

Self-Editing Techniques

After revising, it’s time to edit your work. Self-editing is a crucial skill in learning how to write a story. Start by checking for consistency . Ensure that characters act in ways that align with their personalities and that the plot doesn’t have gaps or contradictions. For example, if a character is afraid of heights, they shouldn’t suddenly climb a mountain without explanation.

Next, tighten your prose . Look for areas where you can be more concise. Remove unnecessary words, redundant phrases, and anything that doesn’t serve the story. This makes your writing clearer and more engaging. Also, watch out for clichés . These overused expressions can weaken your story. Replace them with original descriptions that better capture your unique voice.

Ensure your story's logical and chronological consistency with bibisco's timeline tool.

Seeking Feedback

External feedback is vital in the revision process. After you’ve done your self-edits, consider sharing your story with beta readers or a writing group. These readers can spot issues you might have missed, such as unclear plot points or characters that need more development.

When receiving feedback, it’s important to stay open and objective . Criticism can be tough, but it’s meant to help you improve. Focus on the suggestions that resonate with you and use them to strengthen your story. For example, if multiple readers mention that a certain scene feels out of place, it’s worth re-examining that part of your story.

Final Steps: Polishing Your Story

You’ve revised and edited your story, and now it’s time to polish it. This final stage is crucial in learning how to write a story that’s ready to share with the world. Polishing involves careful proofreading, proper formatting, and preparing your story for submission or publication.

Proofreading

Proofreading is the last line of defense before your story goes out into the world . It’s about catching those small errors in grammar, spelling, and punctuation that can distract readers and undermine your professionalism. Take the time to read through your manuscript slowly, line by line. Look for common mistakes like misplaced commas, incorrect verb tenses, or misspelled words.

A clean, error-free manuscript shows that you care about your work and respect your readers . It also makes a better impression on agents, publishers, or anyone else who might read your story. Consider reading your story out loud . Hearing the words can help you catch mistakes that your eyes might skip over.

Formatting and Presentation

Once your manuscript is error-free, focus on formatting. Proper formatting makes your manuscript look professional and easy to read. If you’re submitting to a publisher or agent, follow their specific guidelines. Common formatting standards include using a readable font like Times New Roman, double-spacing the text, and including page numbers.

Different formats may require different presentation styles . For instance, a manuscript intended for print might need different margins or paper size than one intended for digital platforms. If you’re self-publishing, make sure your manuscript is formatted correctly for the platform you’re using, whether it’s an eBook or a print-on-demand service.

Presentation matters because it’s the first thing a reader or publisher sees. A well-formatted manuscript shows that you’ve taken the time to present your story in the best possible way.

Submitting or Publishing Your Story

After polishing your story, it’s time to decide how you want to share it with the world. There are several avenues for publishing, each with its own process.

Traditional publishing involves submitting your manuscript to agents or publishers . If you choose this route, you’ll need to write a query letter. This letter is your pitch, a brief introduction to your story, and why it would be a good fit for the publisher. Keep it concise and professional. Highlight the main points of your story, such as the genre, the central conflict, and what makes it unique.

Self-publishing is another option. It allows you to maintain control over your work and how it’s presented. Platforms like Amazon Kindle Direct Publishing (KDP) or IngramSpark make it easy to publish your book as an eBook or in print. However, self-publishing requires more responsibility , as you’ll handle everything from editing to marketing.

process of creative writing

Online platforms , like blogs or writing communities, offer a way to share your story with a wide audience. These platforms often have less formal submission processes, making them a good option if you’re looking to get feedback or build an audience quickly.

How Bibisco Novel Writing Software Can Help You Write Your Story

bibisco novel writing software is a powerful tool that simplifies the writing process. It offers features designed for creative writing , helping you organize your ideas and stay focused. With bibisco, you can create and develop your characters, structure your plot, and manage your scenes.

How to write a science fiction novel: bibisco chapters and scenes management tools

bibisco provides a clear overview of your story , making it easier to see how all the pieces fit together. You can track your progress, set writing goals, and keep everything in one place.

Whether you’re just starting or refining your draft, bibisco supports every step of your writing journey .

Conclusion: How to Write a Story

In this guide, we’ve explored the key steps a writer should follow to learn how to write a story. Each step brings you closer to creating a story that resonates.

Writing is a journey, and every story you create is a step forward. Embrace the creative process, even when it feels challenging.

Remember, storytelling has the power to connect people and share experiences across time and place. Your story, no matter how small it seems, has the potential to touch someone’s life. Start writing and let your voice be heard.

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6 Responses

Adorei as orientações! Um resumo muito útil inclusive para professores de linguagens.

I enjoyed reading this article as it gives a complete guide to creative writing in a quick read rather than a 400-page book. Thank you.

Thank you for reading, Hamish.

Very informative and easy to read. Gives a great insight into writing without overloading the reader with too much information. Thank you.

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Johns Hopkins Center for Talented Youth Homepage

On-Campus Summer Programs

Being a reader, becoming a writer.

  • Language Arts

If you love to read, write, and talk about books, this is the course for you. In this course, we'll form a literary community and develop our vocabulary, close-reading, and critical thinking skills through workshops, where we read short stories or novels, respond to them in our journals, and discuss as a class. Then we’ll learn and practice what professional writers do: decide on topics, gather material, talk about creative choices with peers, and draft, workshop, and revise works of creative fiction. Daily lessons and one-on-one conferences with the instructor will help students learn the art of sentence construction, use of imagery, and more. Cooperative learning and constructive criticism are key elements of the course, and detailed responses from your instructor and peers will play an essential role in your growth as a reader and writer.

Typical Class Size: 12

Learning Objectives:

  • Read, analyze, and discuss works of fiction and nonfiction including essays, novels, short stories, and more
  • Practice writing reflectively, analytically, and creatively through personal narratives, poetry, original short stories, or in your own writer’s journal
  • Utilize the tools introduced and skills learned in the course to compose 3-4 works of creative fiction
  • Engage in the writing workshop process, editing and revising work based on feedback from your instructor, program assistant, and peers

This course is

Summer Dates & Locations

After May 31, 2024 , registration is available upon request pending eligibility and seat availability. To request placement, email [email protected] after submitting a program application.

Session One

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Session Two

Testing and prerequisites.

  Math Verbal
Required Level Not required CTY-Level

Students must achieve qualifying scores on an advanced assessment to be eligible for CTY programs. If you don’t have qualifying scores, you have several different testing options. We’ll help you find the right option for your situation.

Cost and Financial Aid

Application fee.

  • Nonrefundable Application Fee - $50 (Waived for financial aid applicants)
  • Nonrefundable International Fee - $250 (outside US only)

Financial Aid

We have concluded our financial aid application review process for 2024 On-Campus Programs. We encourage those who may need assistance in the future to apply for aid as early as possible.

Course Materials

Students should bring basic school supplies like pens, notebooks, and folders to their summer program. You will be notified of any additional items needed before the course begins. All other materials will be provided by CTY.  

Sample Reading

These titles have been featured in past sessions of the course, and may be included this summer. CTY provides students with all texts; no purchase is required.

  • America Street: A Multicultural Anthology of Stories , by Anne Mazer
  • Esperanza Rising , by Pam Muñoz Ryan
  • Roll of Thunder, Hear My Cry, by Mildred D. Taylor

About Language Arts at CTY

Explore storytelling.

Want to have fun reading popular stories and writing your own tales of adventure? Pen your hero's journey and explore a diverse range of books in Behind the Mask: Superheroes Revealed , or have fun shaping your prose and experimenting with different formats and styles in Fiction and Poetry .

Find your voice

Take your writing to the next level! In Writing and Imagination , you can build your vocabulary and gain the tools to write your own creative fiction. You'll learn to craft compelling narratives about your own experiences in Crafting the Essay , and have fun learning new literary devices and figurative language in Writing Your World .

Meet our instructors and staff

headshot image of Rebecca Somer

The students are so bright, interesting, and often willing to try some of the most silly and unique activities that the RAs create.

Rebecca Somer

Resident Assistant

Headshot image of Dan Sievers, a CTY math instructor

There is nothing better than seeing that 'eureka' moment and the extension of that moment as students exuberantly share their thoughts.

Dan Sievers

Math Instructor

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My favorite thing about teaching at CTY is watching the students' curiosity and excitement lead their learning. It's exciting as an instructor to witness their confidence increase and watch as their 'aha' moments manifest into increased knowledge and mastery of the content.

Laya Theberge

Robotics Instructor

process of creative writing

  • Creative Writing (BA) Portfolio Process
  • The Undergraduate Experience
  • Undergraduate Advising

About Creative Writing at ASU

The Creative Writing Program encourages all interested students, regardless of their field of study, to join our community of writers through

  • beginning and intermediate workshops in fiction, poetry, and creative nonfiction,
  • diverse special topics courses, 
  • internships with Hayden’s Ferry Review, ASU’s national literary journal, 
  • and by participating in the many exciting writing events held on campus. 

About the Creative Writing Concentration

Interested students who have already taken the beginning and intermediate workshops in their genre of specialty, and who are committed to continuing their study of Creative Writing, have an opportunity to develop their skills in supportive, highly focused workshops through the Creative Writing Concentration. 

Please note that acceptance into the Creative Writing Concentration is restricted. Students must submit a portfolio for review and be offered a seat in the advanced workshops.

Students interested in pursuing more than one genre at the 400-level must check with their academic advisor to ensure that the necessary courses will fit their degree plan. Dual-genre students must submit two portfolios—one in each genre—to be considered for admittance into advanced coursework in both areas. 

Students pursuing the Creative Writing Concentration must either have selected as their major the bachelor's in English with a concentration in creative writing upon being admitted to ASU or, after entering the university, meet with an English advisor to change to this major and concentration. Non English-majors will be evaluated on a case-by-case basis.

  • To complete the concentration, English majors completing the concentration in creative writing must maintain a cumulative GPA of 3.25 or higher in their major.
  • Concentration students must complete the two advanced courses in their genre. N ote that enrollment into these courses is restricted. Spaces are limited. Students must have submitted a portfolio and been selected to move forward. Completion of the concentration in creative writing is open only to those who pass through Portfolio Review. 
  • Transfer students must seek advisement as to whether they will be able to successfully fulfill the creative writing concentration requirements.
  • PLEASE NOTE:  Students admitted to begin 400-level coursework through Portfolio Review will start their coursework in the following semester. Workshop classes cannot be taken simultaneously.  
  • Students are only allowed to apply for the creative writing concentration twice during their time at ASU.

Portfolio Submission: How to Apply

Your portfolio should include:

  • COVER SHEET
  • Poetry Sample: 5 poems
  • Fiction Sample: 1 piece of fiction of at least 5 double-spaced pages and not longer than 10 double-spaced pages
  • Creative Nonfiction Sample: 1 piece of creative nonfiction of at least 5 double-spaced pages and not longer than 10 double-spaced pages 
  • Discuss your interest in the relevant genre
  • What do you hope to gain from the creative writing concentration
  • Submit an essay on a single poem, short story, or short creative nonfiction work, focusing on an element of craft you identify in the piece, how that craft element works within the piece, and how this aspect of craft is pertinent to your own writing.
  • Please provide textual examples (quotations) from the creative piece in your essay and make sure to closely read/explain their relevance. 
  • A link will be provided each semester to students enrolled in the major and/or registered for the prerequisite creative writing workshops each term to submit for Portfolio Review. Specific submission dates will be included. 
  • Fall: October-November
  • Spring: March-April  

Stanford Creative Writing Program

The Stanford Creative Writing Program, founded in 1946 by Wallace Stegner, has become one of the nation’s most distinguished creative writing institutions. After almost 80 years, the program continues to evolve while also respecting its original vision of recruiting and supporting talented writers, offering exceptional creative writing instruction and mentorship, and inspiring undergraduates to develop their own unique creative written expression.

In the 1940s, E. H. Jones generously created the Wallace Stegner Fellowship, now considered the most prestigious creative writing fellowship in the U.S. for emerging writers. Dr. Jones also made possible the Jones Lectureships, which are limited, fixed-year teaching appointments, allowing exceptional Stegner Fellows some time and support to prepare a manuscript for publication, hone their teaching skills, and transition to a longer-term teaching career elsewhere.

The original framework of term-limited appointments allowed for a consistent flow of selected Stegner Fellows into the Jones Lectureship. However, over time this framework of term-limited appointments was not followed.

In the past two years, the School of Humanities and Sciences leadership and the Creative Writing Academic Council faculty have been working to formulate necessary changes in the program and to identify additional resources to meet its growing needs. A Working Group of Creative Writing Academic Council faculty held listening sessions and discussions.

Now, after thoughtful deliberation, the Working Group has recommended restoring the original intent of the Jones Lectureships: one-year appointments with the possibility of renewal for a limited term, up to a total of five years. This change will again allow Stegner Fellows the opportunity to apply to be Jones Lecturers once they have completed their fellowships. In other words, the Jones Lectureships are not being eliminated; they are only being term limited, as was the original intent of the program, so that the Stegner Fellows have an opportunity to teach Creative Writing courses at Stanford. We plan for there to be as many lecturers in the Program in five years’ time as there are today, and we expect to offer more classes then than now.

The university, school, and numerous generous donors are committed to not only the excellence of the program but also its growth. This means increasing the number of Creative Writing classes to better meet high student demand as well as ensuring competitive compensation for both the lecturers and fellows. We will provide more updates in early fall quarter about the Creative Writing Program and how it will continue to be one of the preeminent programs in the nation.

We understand that these changes to the Jones Lectureships will be met with mixed reactions. However, we firmly believe that the changes advance the program’s pedagogical mission and provide promising writers with the resources to complete their books and obtain appointments at other colleges and universities.

Throughout the history of the program, the Jones Lecturers—both those who are here now and those who have been lecturers in the past—have helped make Stanford Creative Writing what it is today, and we are truly grateful to them for their significant contributions to the program’s mission.

IMAGES

  1. How to Write Creative Writing

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  2. What Is Creative Writing: A Complete Guide

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  3. Creative Writing Cycle

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  4. Writing process infographic template

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  5. My Creative Process

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  6. The Creative Writing Process

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  6. How to create a shot list!

COMMENTS

  1. How to Develop Your Creative Writing Process

    Writing experts often want us to believe that there is only one worthwhile creative writing process. It usually goes something like this: Brainstorm. Research. Outline. Rough draft. Revise (repeat, repeat, repeat, repeat) Edit, proof, and polish. This is a good system — it absolutely works.

  2. The Creative Writing Process

    Creative writing often uses many literary devices such as figurative language and imagery to help convey a message in an entertaining way by reaching the audience on a deeper level. Creative writing is process-focused and aims to fully develop and communicate an idea to your audience in an original way. Practicing these skills can help you ...

  3. A Complete Guide to the Writing Process: 6 Stages of Writing

    A Complete Guide to the Writing Process: 6 Stages of Writing. Every writer works in a different way. Some writers work straight through from beginning to end. Others work in pieces they arrange later, while others work from sentence to sentence. Understanding how and why you write the way you do allows you to treat your writing like the job it ...

  4. What is Creative Writing? A Key Piece of the Writer's Toolbox

    Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way. express their thoughts, feelings, and ideas in a ...

  5. What Is Creative Writing? (Ultimate Guide + 20 Examples)

    Creative writing is an art form that transcends traditional literature boundaries. It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

  6. Creative Writing 101: Everything You Need to Get Started

    Creative writing is writing meant to evoke emotion in a reader by communicating a theme. In storytelling (including literature, movies, graphic novels, creative nonfiction, and many video games), the theme is the central meaning the work communicates. Take the movie (and the novel upon which it's based) Jaws, for instance.

  7. Understanding the four stages of the creative process

    In the four-stage model, we can see how the internal and external elements of the creative process interact. stages 2 and 3 are all about inspiration: dreaming, reflecting, imagining, opening up to inspiration, and allowing the unconscious mind to do its work. Stages 1 and 4, meanwhile, are about generation: doing the external work of research ...

  8. Resources for Writers: The Writing Process

    Writing is a process that involves at least four distinct steps: prewriting, drafting, revising, and editing. It is known as a recursive process. While you are revising, you might have to return to the prewriting step to develop and expand your ideas. Prewriting. Prewriting is anything you do before you write a draft of your document.

  9. Elements of Creative Writing

    This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States.

  10. The 7 Steps Of The Writing Process (Stages, tips and examples)

    In other words, you start with the endpoint in mind. You look at your writing project the way your audience would. And you keep its purpose foremost at every step. From planning, we move to the next fun stage. 2. Drafting (or Writing the First Draft) There's a reason we don't just call this the "rough draft," anymore.

  11. What Is Creative Writing: A Complete Guide

    The Creative Writing process . Creating a compelling piece of Creative Writing is a journey that involves a series of steps, each contributing to the evolution of your story. Whether you're crafting a short story, a novel, or a poem, here's a breakdown of the Creative Writing process in eight essential steps: 1) Finding inspiration

  12. The Ultimate Blueprint: A Research-Driven Deep Dive ...

    This article provides a comprehensive, research-based introduction to the major steps, or strategies, that writers work through as they endeavor to communicate with audiences.. Since the 1960s, the writing process has been defined to be a series of steps, stages, or strategies. Most simply, the writing process is conceptualized as four major steps: prewriting, drafting, revising, editing.

  13. Creative writing

    Creative writing can technically be considered any writing of original composition. In this sense, creative writing is a more contemporary and process-oriented name for what has been traditionally called literature, including the variety of its genres.

  14. The Writing Process

    Table of contents. Step 1: Prewriting. Step 2: Planning and outlining. Step 3: Writing a first draft. Step 4: Redrafting and revising. Step 5: Editing and proofreading. Other interesting articles. Frequently asked questions about the writing process.

  15. How to Improve Creativity: The 5 Stages of the Creative Process

    The creative process manifests in different ways and on different timelines for each person. Anyone who is able to unlock their creative potential goes through a similar process to bring an idea to life. ... Writing How to Improve Creativity: The 5 Stages of the Creative Process. Written by MasterClass. Last updated: Aug 30, 2021 • 3 min read.

  16. What is Creative Writing? (Definition + Tips for Getting Started)

    Creative writing is as much about showing as it is about telling. Practicing descriptive writing brings your characters, settings, and scenes to life. Try to engage all the reader's senses — sight, sound, smell, taste, and touch. This helps to create an immersive experience for your reader and make your writing more memorable.

  17. 10 Types of Creative Writing (with Examples You'll Love)

    A lot falls under the term 'creative writing': poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is, it may be easier to understand what it does by looking at ...

  18. PDF the cambridge companion to creative writing

    Creative writing has become a highly professionalised academic discipline, with popular courses and prestigious degree programmes worldwide. This book is a ... process of writing, Ron Carlson Writes a Story, was published in 2007. Among his awards are a National Endowment for the Arts Fellowship in Fiction, and the

  19. Creative Writing 101: How to Write Compelling Prose

    3. Throw perfection to the wind. Separate your writing from your editing. Anytime you're writing a first draft, take off your perfectionist cap. You can return to editor mode to your heart's content while revising, but for now, just write the story. Separate these tasks and watch your daily production soar.

  20. What is Creative Writing?

    Creative writing is an art form that goes beyond traditional writing, allowing individuals to express their thoughts, emotions, and ideas through the power of words. ... Character development - The process of creating a well-rounded, realistic character with depth, personality, and clear goals or motivations.

  21. On Writing

    This guide is intended as an introduction to resources within the American Folklife Center related to the intersection of folklife studies and creative writing, including poetry, memoir, novels, and non-fiction genres. AFC collections pertaining to the writing process, including interviews with authors and poets about their work

  22. What is The Creative Writing Process?

    Creative writing, creative writing process steps, and creative writing techniques are, as you might expect, the art of writing creatively! Also known as artistic writing, it can focus on narrative, character development and literary tropes, but it can also focus on poetics.

  23. The Creative Process of Writing a Book

    Research your idea and find inspiration (taking copious amounts of notes along the way) Organize your notes into major categories so you can create an outline or framework for the book. Write a ...

  24. 5 Steps To Creativity In Writing

    How To Be Creative When You Write. James Webb Young, author of A Technique for Producing Ideas, suggested that there were five steps to being creative: They are "1) gathering material, 2) intensely working over the material in your mind, 3) stepping away from the problem, 4) allowing the idea to come back to you naturally, and 5) testing your ...

  25. How to Write a Story: A Guide for Creative Writers

    How Bibisco Novel Writing Software Can Help You Write Your Story. bibisco novel writing software is a powerful tool that simplifies the writing process. It offers features designed for creative writing, helping you organize your ideas and stay focused. With bibisco, you can create and develop your characters, structure your plot, and manage ...

  26. Being a Reader, Becoming a Writer

    Utilize the tools introduced and skills learned in the course to compose 3-4 works of creative fiction; Engage in the writing workshop process, editing and revising work based on feedback from your instructor, program assistant, and peers ... We have concluded our financial aid application review process for 2024 On-Campus Programs. We ...

  27. Creative Writing (BA) Portfolio Process

    Please note that acceptance into the Creative Writing Concentration is restricted. Students must submit a portfolio for review and be offered a seat in the advanced workshops. Students interested in pursuing more than one genre at the 400-level must check with their academic advisor to ensure that the necessary courses will fit their degree plan.

  28. Stanford Creative Writing Program

    The Stanford Creative Writing Program, founded in 1946 by Wallace Stegner, has become one of the nation's most distinguished creative writing institutions. After almost 80 years, the program continues to evolve while also respecting its original vision of recruiting and supporting talented writers, offering exceptional creative writing instruction and mentorship, and inspiring undergraduates ...

  29. Writing her story helps Indiana teen process her emotions

    Writing her story helps Indiana teen process her emotions Through the St. Jude ChronCan study, Jinger Vincent uses creative writing to process her cancer experience. When Jinger Vincent, 17, was asked to write about her cancer experience as part of a St. Jude Children's Research Hospital study, she was a little nervous.

  30. Ghosting

    Relay Races and Legacy Writing: My Experience Writing for the Tom Clancy and Clive Cussler Novel Franchises. Author Mike Maden shares his thoughts on writing for both the Tom Clancy and Clive Cussler bestselling novel franchises, including helpful insights for continuing already existing novel series for other authors as well as original series.