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"Assignment: Earth" was the 55th episode of Star Trek: The Original Series , the 26th and final episode of the show's second season, first aired on 29 March 1968 . The episode was written by Gene Roddenberry and Art Wallace MA , directed by Marc Daniels MA and novelized in Star Trek 3 by James Blish .
Characters [ ], episode characters [ ], novelization characters [ ], starships and vehicles [ ], locations [ ], races and cultures [ ], states and organizations [ ], other references [ ], appendices [ ], related media [ ].
"Assignment: Earth" was originally intended to be a back door pilot episode for a spin-off TV series from Star Trek: The Original Series . The series never made it into production but Gary Seven has subsequently been featured in numerous stories in other spin-off media. Assignment: Earth finally became a series of sorts in 2008 when IDW Publishing produced a comics miniseries inspired by the original idea of a TV series: Star Trek: Assignment: Earth , detailing the adventures of Gary Seven in the late 1960s and early 1970s .
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Guest stars.
Lincoln demyan, co starring.
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Assignment: earth, where to watch, star trek — season 2, episode 26.
Watch Star Trek — Season 2, Episode 26 with a subscription on Paramount+, or buy it on Prime Video, Apple TV.
Cast & crew.
William Shatner
Capt. James T. Kirk
Leonard Nimoy
DeForest Kelley
Dr. Leonard McCoy
James Doohan
Engineer Montgomery Scott
Nichelle Nichols
George Takei
Cast & crew.
Robert Lansing
Roberta Lincoln
Lincoln Demyan
Morgan Jones
Col. Nesvig
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http://tvtropes.org/pmwiki/pmwiki.php/Recap/StarTrekS2E26AssignmentEarth
Original air date: March 29, 1968
The Enterprise goes back in time to visit the year 1968 to observe and report. Amazingly, they discover a transporter beam signal, something that didn't exist in 20th Century Earth. They intercept and beam aboard a humanoid called Gary Seven and his black cat, Isis. Mr. Seven soon escapes, sending a few Redshirts to la-la land. (No one dies in this episode. In fact, they all have blissful smiles on their faces as they're incapacitated.) As he beams down to Earth, Kirk and Spock follow to make sure he doesn't pollute the time stream since his excuse of being from a planet they never heard of and being there as an agent of protection seems far fetched.
Who is Gary Seven, and why is he so insistent on getting to McKinley Rocket Base?
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Stardate not given: The Enterprise is sent on a mission back to Earth in the year 1968 to discover details about how the planet survived the arms race. While in orbit, the ship intercepts a transporter beam from an unknown part of the galaxy and beams the space traveler aboard. Surprised by what has taken place, the man identifies himself as Gary Seven and claims to be a 20th Century Earthman raised on an unknown world and trained to prevent Earth from destroying itself. Kirk decides to verify Seven's story before releasing him, but Seven escapes and beams down to the planet below. Kirk and Spock follow him to New York City, and Seven meanwhile discovers that two of his fellow agents have beenhuged in a auto accident. Seven is forced to complete their mission himself which is to sabotage an orbital nuclear platform, just low enough in the atmosphere to scare Earth leaders into prohibiting additional nuclear space weapons. Just as Kirk and Spock arrive, Seven beams out of his office a
Star Trek chronicles the 23rd century adventures of the U.S.S. Enterprise, one of twelve state-of-the-art starships representing Starfleet, the exploration branch of the United Federation of Planets, an alliance of alien races including Earth, Vulcan, Tellar, and Andor. Captain James T. Kirk, the youngest starship captain in the Fleet, commands the Enterprise with a combination of brashness, authority, and imagination. The half-Vulcan/half-human Mr. Spock serves as his extremely logical and efficient First Officer and Science Officer. The ship's chief medical officer is Dr. Leonard McCoy, who has supreme medical authority on the ship and tends to the physical and mental needs of the Enterprise's crew of approximately 430. Other ranking crew members include: Montgomery Scott, a man dedicated to his ship engines but not adverse to a bit of shore leave; Hikaru Sulu, helmsman and a man of many hobbies ranging from botany to fencing, Nyota Uhura, the extremely competent head of Communications, and Pavel Chekov, brash young navigator with a fierce pride in his native Russia.
“Assignment: Earth” Written by Art Wallace (story by Gene Roddenberry and Art Wallace) Directed by Marc Daniels
Season 2, Episode 26 Production episode: 2×26 Original air date: March 29, 1968 Star date: 1968
Mission summary
While on a frivolous time travel mission to research Earth’s history, circa 1968, Enterprise accidentally intercepts a transporter signal from an unknown source over a thousand light years away. A well-dressed man holding a black cat beams onto their transporter pad and looks at them dramatically.
The mysterious man in the sharp suit asks why they’ve intercepted him and demands they identify themselves. Kirk calls security to the transporter room before complying. The man is astonished to find a starship in the 20th century and when he notices Spock’s pointy ears he realizes Enterprise is from the future. He calls himself Mister Seven, claiming to be a contemporary Earth man sent by a secretive alien race to protect the planet. That’s a flimsy premise, especially from a guy who has conversations with his pet cat. Seven tries to convince them to beam him down immediately.
SEVEN: Captain Kirk, I am of this time period. You are not. You interfere with me, with what I have to do there, and you’ll change history. You’ll destroy the Earth and probably yourselves, too. SPOCK: If what he says is true, Captain, every second we delay him could be dangerous. KIRK: And if he’s lying? SEVEN: This is the most critical period in Earth’s history. The planet I’m from wants to help Earth survive. KIRK: What if it turns out you’re an invading alien from the future? SPOCK: A most difficult decision, Captain.
Kirk has a tough call to make, so he puts it off until he can gather more information about their fashionable passenger and his ominous feline companion, Isis. He orders confinement for Seven, but the man and his cat overpower the incompetent security officers. He shrugs off Spock’s patented neck pinch and works the transporter controls until Kirk stuns him with a phaser.
As Dr. McCoy examines the stylish stranger, Kirk calls a ship-wide briefing with all science, engineering, and supervisory personnel through the comm system. They don’t know much more than they did before, but Spock takes a break from cuddling Seven’s cat to highlight the historical significance of the 1960s:
SPOCK: There will be an important assassination today, an equally dangerous government coup in Asia, and, this could be highly critical, the launching of an orbital nuclear warhead platform by the United States countering a similar launch by other powers. KIRK: Weren’t orbital nuclear devices one of this era’s greatest problems? SPOCK: Most definitely. Once the sky was full of orbiting H-bombs, the slightest mistake could have brought one down by accident, setting off a nuclear holocaust.
In the brig, Seven tests the forcefield of his cell before shorting it out with his sonic screwdriver pen then using the device to hypnotize a red shirt into a dead sleep. He escapes to the transporter room while McCoy tells Kirk and Spock what a great body he has: “Human readings, yes, but not a single physical flaw. Totally perfect body.” Clean living or proof of alien origin?
Isis darts out of the room just before security reports Seven’s escape. She joins her master in the transporter room and they beam down before Kirk can stop him…
In a New York City office, a secret wall slides open to expose a hidden safe. The dials on the steel vault spin by themselves until the massive door swings aside to reveal a swirling blue energy field. Seven and his cat emerge from the transporter effect and calmly walk into the room as the vault and wall close behind them. He strides to the window and looks at the people below, marveling at how primitive it all is.
He calls out “Computer on.” A bookcase rotates and a large computer appears, a cross between Batman’s Batcomputer and Daystrom’s ill-fated M15. The Beta 5 analytical computer requests he identify himself by exposition:
SEVEN: All right. Agents are male and female, descendants of human ancestors taken from Earth approximately six thousand years ago. They’re the product of generations of training for this mission. Problem: Earth technology and science have progressed faster than political and social knowledge. Purpose of mission: to prevent Earth’s civilization from destroying itself before it can mature into a peaceful society.
It may sound like a bad pitch for a television show, but it satisfies Beta 5 and she accepts him as Supervisor 194, Gary Seven. She reports that agents 201 and 347 have been missing for three days and begins searching news feeds and government communications to locate them in time to complete their operation: to sabotage a rocket carrying a U.S. suborbital nuclear warhead, which launches in less than ninety minutes. Seven might have to get his own hands dirty on this one.
Meanwhile, back on Star Trek : Kirk and Spock beam down in period-appropriate business suits, with a cap covering Spock’s ears. They begin tracking Seven’s position with Scotty’s guidance from Enterprise .
A blonde woman enters Seven’s outer office while Beta 5 produces false IDs and a map of McKinley Rocket Base for him. Seven, still dressed to the nines in a new suit, mistakes her for agent 201, but after the psychic typewriter freaks her out by auto-magically typing everything she says, it becomes evident that she’s hired help who knew nothing of their identities—until Seven inadvertently made her aware of their advanced technology. She quits but he uses his sonic pen to lock her in and consults Beta 5 via a green cube on the desk.
SEVEN: Scan unidentified female present. COMPUTER: Roberta Lincoln. Human. Profession: secretary. Employed by 347 and 201. Description: age twenty, five feet seven inches, 120 pounds, hair presently tinted honey blonde. Although behavior appears erratic, possesses high IQ. Birthmarks— ROBERTA: Hey. COMPUTER: Small mole on left shoulder. Somewhat larger star-shaped mark on her— ROBERTA: Hey, watch it! Okay, I’ll bite. What is it? SEVEN: Miss Lincoln. Miss Lincoln, What kind of work did your employers say they were doing here? ROBERTA: Research for a new encyclopedia? No? No.
He shows her his fabricated CIA papers to convince her he’s a government agent. “Very groovy,” she says, suddenly trusting him. Seven decides to keep her around, because why not, and asks not to be disturbed while he consults his cat. But Kirk and Spock are closing in on his coordinates.
They arrive at his front door just as Beta 5 reports that agents 201 and 347 were killed in an automobile accident on their way to McKinley. He sneaks out through his secret transportal as Roberta runs interference on the Starfleet officers. They struggle and she uses her defensive training to pull Spock’s cap off, which admittedly does force him to let her go so she can get a better look at his Vulcan features, with the requisite shocked reaction. Kirk shoots the locked office door with his phaser and bursts in—too late, again. Seven walks safely out of a hangar at McKinley.
Cops arrive at the apartment in response to Roberta’s panicked call for help. The captain and science officer beam out with the startled policemen then return them as soon as they’ve had an eyeful of Enterprise ’s transporter room—giving Roberta another demonstration of advanced technology. So much for keeping a low profile. Seven isn’t much better at evading security personnel at the base. He’s stopped by a sergeant, who he allows to make a phone call before he zaps him asleep with his pen.
Meanwhile, on Star Trek , Scotty uses a weather satellite to get Google-like close-up images of the launch pad, performing a tedious visual scan for the stylish business man and his black cat. He misses Seven emerging from the trunk of the launch director’s car and his trip in the elevator to the top of the rocket, only thirty-five minutes before blastoff. Kirk and Spock beam down to the pad just as Seven’s sleepy sergeant wakes up to capture them. They really have the worst luck sneaking around 20th century military bases.
Kirk and Spock remain tight-lipped about their identities and the communicators and phasers the military confiscate from them. But Scotty’s finally found the needle in his haystack: he zooms in on Seven and Isis perched on the gantry crane, messing around in an open panel on the rocket. He attempts to beam them up, but Roberta inadvertently presses all the right buttons while playing with Seven’s toys and intercepts the transporter beam, bringing him back to his office before he can finish whatever he was trying to do.
Kirk’s “never felt so helpless” standing around watching the rocket take off. In Seven’s apartment, Roberta begins to get suspicious when her employer uses Beta 5 to sabotage the rocket. She tries to call for help but he cuts the phone cord with his pen. He takes the rocket off its flight path and arms the warhead, which alarms the military brass at the base, and most international governments. Seven has control of the rocket’s horizontal and vertical, and he sets it on a trajectory for Eurasia where it’s certain to ruin everyone’s day.
While the officers are distracted by their failed attempts to re-establish contact and activate the rocket’s destruct signal, Kirk and Spock nab a communicator and have Scotty transport them to Seven’s apartment. They find that Roberta has beaned Seven with a cigar box and taken his pen. He tries to convince Roberta that he’s trying to prevent World War III:
SEVEN: Roberta, you’ve got to believe me. Look, a truly advanced planet wouldn’t use force. They wouldn’t come here in strange alien forms. The best of all possible methods would be to take human beings to their world, train them for generations until they’re needed here. ROBERTA: Mr. Seven, I want to believe you. I do. I know this world needs help. That’s why some of my generation are kind of crazy and rebels, you know. We wonder if we’re going to be alive when we’re thirty.
Okay… Kirk and Spock bust into the office and the Vulcan immediately tries to figure out Beta 5’s controls so he can detonate the warhead. Seven insists he has the same goal: to destroy the rocket before it drops below 100 miles over the Earth, “just barely in time to frighten them out of this arms race.” Roberta points the pen at Kirk threateningly, but Seven takes it from her—it was set to kill. He hands the weapon to the captain and offers his help.
Kirk is indecisive, but Spock may not be able to master the controls in time. “Without facts, the decision cannot be made logically. You must rely on your human intuition,” he advises. With the rocket thirty seconds from impact, he makes up his mind. “Go,” he tells Seven.
Seven takes over the controls and after a tense countdown, he succeeds in destroying the rocket at an altitude of 104 miles. Later, he dictates his report to his typewriter, calling the mission a success despite Enterprise ’s accidental interference. The captain and Spock maintain that of course everything happened the way it was supposed to—they’ve just noticed that their historical tapes had a record that “a malfunctioning suborbital warhead was exploded exactly one hundred and four miles above the Earth” (how did Spock miss that?) and resulted in better international control of nuclear weapons. Oh, time travel.
Roberta is distressed when she sees Isis briefly turn into a Playboy Playmate, but Seven is coy about his cat’s true nature. He asks Kirk and Spock for some hints about the future, but they hold out on him.
KIRK: I’m afraid we can’t reveal everything we know, Mr. Seven. SPOCK: Captain, we could say that Mr. Seven and Miss Lincoln have some interesting experiences in store for them. KIRK: Yes, I think we could say that. Two to beam up, Scotty. SPOCK: Live long and prosper, Mr. Seven. KIRK: And the same to you, Miss Lincoln. Energize.
Analysis Seven, 104, 347, 1968… the numbers just don’t add up on this one. Most fans are aware that “Assignment: Earth” was intended as a backdoor pilot for a show starring Gary Seven, his quirky receptionist, a sexy shapeshifting cat, and a contrary computer. As such, it makes for a peculiar episode of Star Trek , and a dissatisfying season finale, relegating the crew to following Seven around trying to figure out what he’s up to. The conceit that time travel is so simple Starfleet can lead observational missions into Earth’s past was rightfully dropped after this anomalous plot, as was the planned TV series.
I don’t know if I ever watched this episode without the knowledge that it was an odd blend of two shows, but I think it left a better impression on me when I was younger. This time around the setup comes off as too farfetched, and the story structure is a mess. Too much focus is placed on Seven to the detriment of our regular cast, and aside from the scene where he meets Roberta, the script is uninspired. Add in the fact that we’ve seen a lot of this before, including a black cat who’s really a woman, and it doesn’t deliver much excitement.
But the show isn’t without its good points. I was curious about Seven’s true identity and mission right up to the end, having forgotten his purpose (or simply confused by his motives and unreliable explanations). The NASA stock footage is breathtaking even now, seamlessly integrated into the episode and making this episode look like it had an effects budget to rival a Hollywood film. I suppose in 1968 much of the public would have been familiar with those striking images, but I hadn’t seen them often enough to be a distraction. The shots of 1968’s streets, sets, and fashions are as much a window into the past as Star Trek itself often represents that tdecade’s culture and politics.
Seven calls that decade the “most critical period in Earth’s history,” and I’m not sure I would necessarily dispute the claim, even now. The episode tackles contemporary issues of the sixties more directly than usual, commenting and warning against the raging nuclear arms race with all the subtlety of Superman IV: The Quest for Peace and about the same level of success. (Hint: none at all.) It’s interesting to see a 1960s interpretation of the 1960s, including Roberta’s explanation of her generation’s hippy culture. Most of all, I was intrigued that both Seven and Kirk are the good guys—they want the same thing, but they find it difficult to trust each other and the stakes are too high to risk making the wrong call, as good an analogy for the Cold War as any.
The biggest surprise in this episode: Kirk’s ship-wide briefing, which is unusual in any Star Trek series. I also noticed Scotty’s comment, “It’s impossible to hide a whole planet,” because in the TNG episode “When the Bough Breaks,” the planet Aldea manages it just fine with a cloaking device. Maybe the engineer hasn’t heard the legends about it.
Hey, do you think anyone went back for the communicator and phasers they left at McKinley Base?
Eugene’s Rating: Warp 3 (on a scale of 1-6)
Torie Atkinson: Did we get our wires crossed with some other re-watch?
The best that can be said about “Assignment: Earth” is that it was barely a Star Trek episode. The worst that can be said is that I probably should have painted my apartment before popping the disc in so I could’ve had something more interesting to watch. Its greatest sin wasn’t the hopeless plot, the uninspired dialogue, the heavy-handed moral messages, or even the lack of screentime for our heroes: it’s that it was about as exciting as watching someone’s vacation photo slideshow. If they had gone on vacation to the Get Smart studio set. That they made in their living room. To act out their spy thriller fan fiction. (Hints of Bashir’s holodeck program, anyone?)
First of all, the “we were just on the usual Tuesday time travel route” set-up was pathetic and lame, even compared to some of the handwaving we’ve put up with before. I never though I’d look back at “ A Piece of the Action ” and think it was clever, but there you have it. Can they not even try to come up with something plausible? It can be half-hearted! I’ll take it! Worse was the excruciating overuse of stock footage. Now I’m a space geek through and through and I yawned audibly at least three times during each of the ponderously long rocket check-me-out sequences. Rockets are cool! I get it! You know what’s not cool after watching this episode? Rockets! They made rockets boring. True fact.
Okay, so the computer was kind of cool when she gave Seven lip, and Spock with a kitty is SO CUTE (and random…) and I am surprised I haven’t seen that in the various clipshow YouTube videos that people always send me. But oh Teri Garr, what are you wearing and why would you agree to be so annoying? There’s one line I really liked, though, that I felt was quintessentially Star Trek . Kirk says that it’s impossible to hide a whole planet, and Seven responds: “Impossible for you. Not for them.” It seemed to imply both that technology can do more than we think it can, and that limitations (perceived or real) are ours alone, not necessarily universal. A nice touch.
I guess I should talk about the science-fictional “idea” behind this episode, such as it is. Aliens interfering with Earth history: could be interesting, is not here. Spy thrillers involved with this: also could be interesting I guess but probably not combined with camp. The idea of technology moving more quickly than social progress: plausible! Ding! But those ideas aren’t really worthy of this episode. The real question I was left with at the end wasn’t “Oh what will become of humanity?” but “Why do 1960s aliens have an orgasm raygun?”
But maybe I am just not evolved enough to understand.
Torie’s Rating: Warp 2
Best Line: ROBERTA: “Research for a new encyclopedia? No? No.”
Syndication Edits: Kirk tells McCoy to hurry with his report and bring it to the briefing room; Kirk and Spock approach Seven’s building; Seven’s reaction to the news that his agents are dead; after Roberta calls the cops, Seven opens his vault, Spock holds Roberta, and Kirk blasts open the door; Kirk sees the plans for McKinley Rocket Base; Seven prepares to hide in the director’s car; three segments of Scotty scanning the viewscreen; Seven’s line, “Meow? You are nervous, aren’t you, doll?”
Trivia: The first draft of a half-hour pilot script for a series titled “Assignment: Earth” was dated November 14, 1966, which pitted Gary Seven against a race of alien time travelers trying to sabotage Earth’s development. He was assisted by Roberta Hornblower against two Omegan operatives named Harth and Isis and a time-altering computer. The pilot didn’t sell and it was reworked as a Star Trek episode, with that first draft dated December 20, 1967, in which the Enterprise crew watches Bonanza on the Bridge viewscreen. Seven appeals to McCoy to “think like a doctor, not a mechanic” while imprisoned, and his female aide was now called Roberta London. Roddenberry revisited the concept in another failed television movie/series, The Questor Tapes in 1974.
The episode uses NASA stock footage of launched from Cape Kennedy (now Cape Canaveral) , cropped from the anamorphic 2.35 : 1 aspect ratio.
Roddenberry was credited as “Producer” instead of “Executive Producer” for this episode, the first he was listed as such since the first season.
The character Gary Seven returned only in a number of novels and comics, including John Byrne’s comic mini-series sequel to the episode, Star Trek: Assignment: Earth, which featured a story that also ties back to the episode “Tomorrow is Yesterday.”
Other notes: Coincidentally, there were two important assassinations in 1968: Reverend Martin Luther King, Jr. on April 4 (six days after the episode was broadcast) and Robert F. Kennedy on June 6. The Apollo 6 rocket was also launched on April 4.
Robert Lansing (Gary Seven) received a unique guest star credit for this episode, which included his character’s name. Fans might recognize him from films The 4-D Man and Empire of the Ants , as well as starring and guest roles on television, including Twilight Zone (“The Long Morrow”).
Teri Garr (Roberta Lincoln) was reportedly upset over Roddenberry’s shortening of her skirt and has refused to talk about Star Trek . Genre fans would remember her from Young Frankenstein and Close Encounters of the Third Kind .
James Doohan voices a radio voice at the rocket base.
Previous Episode: Season 2, Episode 25 – “ Bread and Circuses .”
Next Episode: Season 3, Episode 1 – “ Spock’s Brain .” (Oh, boy.) US residents can watch it for free at the CBS website .
This post originally appeared on Tor.com .
Another problems with this episodes, besides the ones you’ve outlined, is that it’s completely – er – illogical for Kirk to take Spock with him when he beams down. Surely Scotty would be a better choice – he could handle the technological side of things just as well as Spock, and he doesn’t have any pointed ears to hide. But hey, where would be the fun in that?
Mr. Seven’s Computer is the M-5 all dressed up with a female voice substituted for the male voice in the Ultimate Computer.
It’s also Mr. Atoz’s Atovachron.
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In the season 2 finale of the classic science fiction series Star Trek, entitled "Assignment: Earth," the crew of the starship Enterprise is sent back in time to Earth during the tumultuous year of 1968. Instead of investigating a strange new world, they are tasked with observing and assisting a human named Gary Seven and his alluring companion, Roberta Lincoln, as they attempt to stop a group of renegade beings from altering the course of history and thereby changing the future of the Federation.
Initially skeptical of the pair's mysterious origins and futuristic technology, Captain Kirk and Mr. Spock must navigate the uncharted territory of Cold War espionage, political assassination plots, and even a feline sidekick named Isis. Along the way, they encounter a cast of characters both familiar and new, including a harried secretary, a suspicious agent, and an enigmatic entity known only as The Guardians.
As the clock ticks down towards a critical moment in humanity's destiny, Gary and Roberta must undertake a daring mission to sabotage a rocket launch while Kirk and Spock face off against a powerful foe intent on unleashing chaos and destruction. With the fate of not only Earth but the entire galaxy at stake, our heroes must rely on their wits, their training, and above all, their faith in the power of reason and compassion to triumph over evil and protect the future of civilization.
Featuring all the hallmarks of the classic Star Trek franchise - including highly advanced technology, nail-biting action sequences, and thought-provoking allegories - "Assignment: Earth" is a thrilling and satisfying conclusion to the show's second season. With its blend of science fiction, espionage, and time travel, this episode remains a beloved classic among fans and a testament to the enduring legacy of a show that explored the final frontier of both space and human potential.
Den of Geek
As Star Trek was meeting its potential end, Gene Roddenberry tried to make a very different sci-fi spinoff with Assignment: Earth.
By the end of Star Trek ‘s second season, Kirk and the Enterprise had encountered many godlike beings and advanced technologies. Yet, they still reacted with shock when, during a trip back to 1968, a mysterious person interferes with the ship’s transporters, and even more so when the person reveals himself as a serious-looking human holding a black cat named Isis.
That man, they discover, is Gary Seven a 20th-century human and member of an alien peacekeeping force. Seven has been sent back to his home planet to prevent a rocket launch that would further enflame the Cold War, a mission that Kirk and Spock take too long to understand.
Such is the plot to “Assignment: Earth,” the 1968 finale to the Original Series ‘ second season, which was also almost the last episode of the entire series. But even if that had been the end of Kirk and crew on television, it may not have been the end for Gary and his feline companion. After all, Star Trek creator Gene Roddenberry had originally hoped to turn “Assignment: Earth” into an ongoing spinoff series, one that would have taken a slightly more grounded approach than exploring the final frontier.
“Captain, we could say that Mister Seven and Miss Lincoln have some… interesting experiences in store for them,” says Spock at the end of “Assignment: Earth.” The line was intended as a tease for the audience, capping a backdoor pilot that Roddenberry hoped would lead to his next hit sci-fi series. But even before it was folded into Star Trek, the idea for “Assignment: Earth” began life as its own standalone show. Unfortunately, when none of the networks showed interest in ordering a pilot, Roddenberry and co-creator Art Wallace reworked the idea, instead launching “Assignment: Earth” via the also imperiled Star Trek .
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For that reason, “Assignment: Earth” spends more time with Seven than it does Kirk and Spock. Played with stoic reserve by Robert Lansing, Seven goes about his mission to disrupt the launch at the (fictional) McKinley Rocket Base with utter seriousness. Along the way, we learn a bit about his backstory. The descendent of humans abducted by aliens in 4000 BC and brought to peak mental and physical ability, Seven has returned to his people’s planet to prevent Earth from destroying itself before they can achieve harmony.
Along the way, Seven dazzles audiences with his high-tech equipment, including a massive computer hidden behind a bookcase in his apartment, his voice-activated typewriter, and his “servo,” a pen-shaped device that operates as a multipurpose tool.
The episode also gave Seven two partners, the first was Isis, who may or may not also sometimes be a sexy lady (this is a Roddenberry show, after all). The second is a hip ’60s woman called Roberta, played by Teri Garr . In her first major role, Garr shows off the comic timing that will make her a star, playing Roberta as sometimes overwhelmed by the advanced technology, but with a strong moral core and moments of bravery.
But despite all of the pieces in place for a cool sci-fi series, in which Gary and his crew continue to protect Earth’s timeline from being altered, neither audiences nor networks wanted more of Gary Seven. And when we next saw the Enterprise crew, they had much more important issues to deal with, namely finding Spock’s Brain in the season 3 opener.
The assignment continues.
Even if Lansing and Garr never returned as Seven and Roberta, Trekkies didn’t forget about them. The characters play key roles in the Eugenics Wars novels by Greg Cox from the early 2000s. In those stories, Seven finds the boy Khan Noonien Singh in a secret lab in 1974 India. Seven rescues the boy and plans to raise Khan in the ways of the aliens who taught him, hoping that Khan will use his augments for the good of humanity.
But when Khan takes steps that lead to the Eugenics Wars, Seven and Roberta try to stop him, essentially becoming his first nemeses. Seven’s failure to prevent Khan’s rise leads to his retirement from his post, with the mature Roberta taking over in his place.
Seven and Roberta have also appeared in several Star Trek comics, including a 2008 five-issue miniseries Star Trek: Assignment Earth by IDW Comics , written and penciled by none other than comics legend John Byrne. The comic picks up three months after “Assignment: Earth,” and follows the duo on a series of adventures, which involve more nuclear facilities, secret cloning labs, and even a return trip to the Enterprise .
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All of these stories present Seven and Roberta as secret agents, which makes sense, given that Roddenberry modeled the characters on popular British agents James Bond and The Avengers . However, sci-fi fans will notice quite a few similarities between the “Assignment: Earth” heroes and another popular franchise timey-wimey franchise following an alien protagonist: Doctor Who .
Like the Doctor, especially William Hartnell ‘s first incarnation, Seven has a stoic demeanor, which sometimes clashes with his cool young female companion. He uses alien equipment to go where he needs to anywhere on the planet (not through time, but given how easily the Enterprise time travels, it’s hard to believe that Seven didn’t have a few tricks to pull it off).
Seven solves problems by pointing his pen-shaped servo at things, which allows him to open and unlock doors, turn on computers, and that can even be set to stun, just like the sonic screwdriver. He even gets past security with a wallet full of fake ID cards, which feels a lot like psychic paper. Of course, psychic paper wasn’t added to Who lore until the Russel T Davies reboot. And even the sonic screwdriver didn’t appear until the Second Doctor serial Fury from the Deep , which aired at the same time as “Assignment: Earth.” Clearly, Gary Seven and Roberta Lincoln were onto something in 1968.
“I have never felt so helpless,” Kirk confesses in a supplemental log late in the episode. It’s a telling statement. Not only does Seven get most of the attention in “Assignment: Earth,” but Kirk and Spock spend the entire episode following his trail, confused and inert.
Had a letter-writing campaign not convinced CBS to produce one more season of Star Trek , “Assignment: Earth” would have been an ignoble end to the series but perhaps also the jumping off point for new adventures starring Mr. Seven and his companions. But even if Trek ‘s legacy is more than secure in 2024, it would still be nice to see the characters of Seven and Roberta make some sort of return. After all, humanity still needs a lot of help.
Joe George | @jageorgeii
Joe George’s writing has appeared at Slate, Polygon, Tor.com, and elsewhere!
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"Star Trek" Assignment: Earth (TV Episode 1968) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... a list of 26 titles ... Star Trek (Season 2/ 2ª Temporada) a list of 26 titles created 20 Jan 2023 Star Trek TOS: About 30 Good Episodes a list of 32 titles created 18 Feb 2020 ...
Assignment: Earth: Directed by Marc Daniels. With William Shatner, Leonard Nimoy, DeForest Kelley, Robert Lansing. While back in time observing Earth in 1968, the Enterprise crew encounters the mysterious Gary Seven who has his own agenda on the planet.
While back in time observing Earth in 1968, the Enterprise crew encounters the mysterious Gary Seven who has his own agenda on the planet. ... Assignment: Earth (1968) ← Back to episode. Bread and Circuses (2x25) Spock's Brain (3x1) Season Regulars 7. William Shatner. James T. Kirk Leonard Nimoy. Spock ... (right arrow) go to next season.
Star Trek: The Original Series season 2. List of episodes. " Assignment: Earth " is the twenty-sixth and final episode of the second season of the American science fiction television series Star Trek. Written by Art Wallace (based on a story by Wallace and Gene Roddenberry) and directed by Marc Daniels, it was first broadcast on 29 March 1968.
The Enterprise travels back in time to 1968, where the crew encounters the mysterious Gary Seven who claims to be sent by advanced beings trying to help Earth. (Season finale) "Captain's log. Using the light-speed breakaway factor, the Enterprise has moved back through time to the 20th century. We are now in extended orbit around Earth, using our ship's deflector shields to remain unobserved ...
This episode was a "backdoor pilot" for a Roddenberry concept about interventionist aliens whose goal is to ensure the survival of less advanced races, including humans. The network passed. Episode Guide for Star Trek 2x26: Assignment: Earth. Episode summary, trailer and screencaps; guest stars and main cast list; and more.
"Assignment: Earth" was the 55th episode of Star Trek: The Original Series, the 26th and final episode of the show's second season, first aired on 29 March 1968. The episode was written by Gene Roddenberry and Art WallaceMA, directed by Marc DanielsMA and novelized in Star Trek 3 by James Blish. Beta 5 computer • Clifford Brent[1] • Charley • Pavel Chekov • Cromwell (launch director ...
While back in time observing Earth in 1968, the Enterprise crew encounters the mysterious Gary Seven who has his own agenda on the planet.
Guest Stars. James Doohan as Lt. Cmdr. Montgomery "Scotty" Scott. Nichelle Nichols as Lt. Nyota Uhura
Star Trek - Season 2, Episode 26. On a mission to 1960s Earth, the Enterprise finds a human agent (Robert Lansing) working for aliens; guest Teri Garr. Prime Video Paramount+ Apple TV. Watch ...
Assignment: Earth. Available on Paramount+, Prime Video. S2 E26: The Enterprise goes back in time and discovers a mysterious stranger trying to interfere with 20th-century events. Sci-Fi Mar 29, 1968 48 min. TV-PG. Starring Robert Lansing, Teri Garr, Don Keefer.
Available on Prime Video, Paramount+. S2 E26: On a mission to 1960s Earth, the Enterprise finds a human agent (Robert Lansing) working for aliens; guest Teri Garr. Sci-Fi Mar 29, 1968 48 min iTunes. PG. Starring Robert Lansing, Teri Garr, Don Keefer.
The Enterprise goes back in time to visit the year 1968 to observe and report. Amazingly, they discover a transporter beam signal, something that didn't exist in 20th Century Earth. They intercept and beam aboard a humanoid called Gary Seven and his black cat, Isis. Mr. Seven soon escapes, sending a few Redshirts to la-la land.
Assignment: Earth (TV Episode) Details. Full Cast and Crew; Release Dates; Official Sites; ... Star Trek (Season 2/ 2ª Temporada) a list of 26 titles created 20 Jan 2023 favourites a list of 38 titles created 31 Mar 2022 ...
Star Trek Season 2 Episode 26: Assignment: Earth Summary: Stardate not given: The Enterprise is sent on a mission back to Earth in the year 1968 to discover details about how the planet survived the arms race. While in orbit, the ship intercepts a transporter beam from an unknown part of the galaxy and beams the space traveler aboard.
The final episode of season two is "Assignment: Earth," which introduces Gary Seven and Roberta Lincoln, whom you'll no doubt recognize from their hit show.....
Return to Tomorrow. The Enterprise is guided to a distant, long-dead world where survivors of an extremely ancient race - existing only as disembodied energy - desiring the bodies of Kirk, Spock and astro-biologist Ann Mulhall so that they may live again. Episode 21 • Feb 16, 1968 • 50 m.
"Star Trek" Assignment: Earth (TV Episode 1968) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... BEST STAR TREK EPISODES (The Original Series) a list of 34 titles created 19 Mar 2013 Star Trek Chronologically a list of 45 titles ...
Season 2, Episode 26. Production episode: 2×26. Original air date: March 29, 1968. Star date: 1968. Mission summary. While on a frivolous time travel mission to research Earth's history, circa 1968, Enterprise accidentally intercepts a transporter signal from an unknown source over a thousand light years away. A well-dressed man holding a ...
Where to watch Star Trek · Season 2 Episode 26 · Assignment: Earth starring William Shatner, Leonard Nimoy, DeForest Kelley and directed by Marc Daniels. While back in time observing Earth in 1968, the Enterprise crew encounters the mysterious Gary Seven who has his own agenda on the planet.
Synopsis. The ENTERPRISE, on a historical research mission to observe earth in 1968 (they traveled back in time using the light-speed breakaway factor). It intercepts a powerful transporter beam from a distant part of the galaxy (from at least a 1000 light yrs away). A human male dressed in 20th century business suit and carrying a black cat ...
This is "TOS - S02E26 - Assignment Earth" by matt decker on Vimeo, the home for high quality videos and the people who love them.
Season 2. Ep 26. Assignment: Earth. TV-PG. March 29, 1968. 50 min. 7.5 (3,560) In the season 2 finale of the classic science fiction series Star Trek, entitled "Assignment: Earth," the crew of the starship Enterprise is sent back in time to Earth during the tumultuous year of 1968. Instead of investigating a strange new world, they are tasked ...
Such is the plot to "Assignment: Earth," the 1968 finale to the Original Series' second season, which was also almost the last episode of the entire series. But even if that had been the end ...